prop me on a wall? I was down with it. Squat with my hands in restraints? Iâd play.
It was the physical thing that hooked me. I wasnât looking for God. I thought Iâd seen enough. But the prospect of a life of pure sensationâthat, I liked. Heroin was another way to see the world, from the other side of the glass, another way to free it. Itâs a world you donât have to enter; it enters you. It makes you feel sexyâgood for something. But this life isnât about feeling good; itâs about feeling better. However good or bad you feel, heroin makes you feel better. Itâs a short leap from there to feeling nothing at all. For that you pay a price. Not five hundred dollars a gramâthatâs just money. For heroin, you pay with your life.
All drugs are poisons, my dad used to say. A necessary evil, he called them. He was talking about medicines. In his youth he had been a pharmacistâs apprentice and then, after the war, a drug salesmanâlike father, like daughter, ho ho.
Dad pushed pharmaceuticals, eye, ear, nose, and throat. I grew up on a cough syrup made of two ingredients, codeine and alcoholâmy first cocktail and still my favorite. Dad didnât know that, of course. When thereâs a poison in the body, he said, your best weapon is a stronger poison. The trick is to kill the intruder without killing yourself. I have yet to get the hang of it.
PART TWO
HEROIN HONEYMOON
HEROIN HONEYMOON
May 1981.
âIâve been watching you sleep,â I hear Kit say. Itâs my first week in residence at her apartment. âI like watching you sleep,â she says. âYouâve been dreaming.â
I donât believe it. âI never dream,â I say.
Kitâs kneeling on the floor beside me with a bent spoon and cotton, preparing a syringe. âYouâre on your heroin honeymoon,â she tells me. âYou sleep with that heroin honeymoon smile. You donât wake up sick, like me.â She holds out a hand mirror lying by the bed. âTake a look and see.â
I sit up and take the mirror from her hand. I donât look.
âYou went out and copped already?â I ask. Iâve been dead to the world. I can smell the coffee.
âI had to,â she says. âRehearsalâs in an hour.â
âHow is it?â I nod toward the spoon. Sun fills the room. I feel pale.
âPut out your arm.â
I pump it. She ties me off with one of her scarves. âYou have such good veins,â she says. âI used to have veins like yours.â
âDonât give me too much,â I say. âIâm not ready.â
Her eyes graze my arm, her voice is gentle. âItâs only one bag, donât worry.â
I hear music coming from the living room, itâs jarring. âI donât like loud music so early in the morning,â I say.
âI do,â Kit retorts. âAnyway, it isnât morning.â She holds a lighter under the spoon, dissolves the dope in the water. This is tricky. If the water boils, sheâs lost it.
âWhat is that youâre playing?â I ask. Donât know why Iâm so irritable. âCanât we listen to your music, at least? This is dreadful.â
âThis,â she says quietly, âis a tape of yesterdayâs rehearsal.â
Iâm still nervous about the needle. I donât know how to inject myself. I donât want to know. I like the way Kit does it. I like her touch. My eyes lock onto her hands as she draws the liquid into the barrel of the syringe, taps out the air. Here it comes. I donât want to watch but canât help it.
âThereâs that smile again,â she says after a moment. I look in the mirror. There it is, right on my face, a smile of saintly serenity. Itâs odd to seeâI never smile. Iâve been pissed off about something or other all my life. Now I look like a dark Ophelia floating in her