The Malacia Tapestry

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Authors: Brian W. Aldiss
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little living thing sweat gently in my grasp. In reminding me of all the other treasures of hers which might fall into my grasp, it was enough to make me stand rigid.
    The five minutes up, Bengtsohn clapped his hands and fiddled with another slide.
    â€˜The next scene will also be indoors, what is situated at a country tavern. We shall see Prince Mendicula meeting with Jemima. Letitia, if you will step forward please, and look a little haughty. Not at him but rather above or through him, yes, through him, to indicate that you are of good birth … I hope the zahnoscope does not become too hot, or the salts will fail.’
    All was ready. Bonihatch and Letitia assumed rigid poses, becoming their idea of the noble prince and the Lady Jemima. With a few tawdry props behind them and the sun shining overhead, history would be made. Bengtsohn looked raptly at the velvet cover over his slide, as if the secret of the universe lay there. Time stood still. Armida and I, waiting on one side and watching the tableau, found ourselves also transfixed. The minutes took longer to pass than when we ourselves stood before the zahnoscope.
    Eventually the sand lay in the lower half of Bengtsohn’s hourglass, and he called for the pose to be broken. We all came alive again.
    Patting his dark box grimly as he tucked the third slide into it, he said, ‘These I will mercurize in the workshop this evening. If they develop well, then we again proceed tomorrow. If luck is not on our back, then we re-enact the same scenes. So, to do another while the light is good. Meanwhile, to keep occupied your minds while we work, I shall recite to you the story of our drama, just as I shall recite before audiences … provided anything so novel is allowed for to be shown to Malacian audiences …’
    The morning passed in little-five minute loaves of time as Otto Bengtsohn unfolded his preposterous tale of Prince Mendicula, while his characters confronted the sunshine with tinsel crowns and cork swords.
    Prince Mendicula: or, The Joyous Tragedy of the Prince and Patricia, as Intertwined with the Fates of His General Gerald and the Lady Jemima (announced Bengtsohn, blowing a fake fanfare through pursed lips in order to convey an impression of grandeur commensurate with the occasion). A co-operative production by the Bengtsohn Players, mercurized by Otto Bengtsohn of Tolkhorm, under the grand patronage of Andrus Hoytola, to whom our humble efforts are unworthily dedicated with all gratitude and undue prostrations, and so on and so on, to the limits of the capacity …
    The great and handsome Prince Mendicula, what you here see in the full glory of his youth, power, and privilege, has just conquered the city of Gorica, what lies in ruins for all to see and sorrow over in the background.
    Mendicula has been aided by his general, the noble, powerful, and privileged Gerald, who is almost as personable as his prince. As you see.
    General Gerald has become the close friend and adviser of his prince, what has encouraged Gerald in every way and made him a favourite in preference over many other estimable courtiers. Here you see the two of them inspecting the ruined city. The conquered city, that is to say; conquest is a princely habit. With them Mendicula’s wife is, the beautiful Princess Patricia. You observe with what delight she views the vanquished of Gorica, whose hearts go out to her.
    Here you see her telling her husband, the Prince, how enchanted she is by his prowess in war. He clutches her hands. So consumed by love of her is he that the prince bestows the city – without consulting the feelings of the inhabitants, of course – upon her for a gift, what makes the first three years of their happy life married.
    The general expresses content with this arrangement. Here he announces that from henceforth he will abstain from warlike action – as generals enjoy to do after battles – thinking what they may get their heads

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