The Malacia Tapestry

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Authors: Brian W. Aldiss
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the prince’s mind up than he suppresses it with scorn. He believes it to be a reflection of his own guiltiness and unworthy totally of him – also of her what he loves and honours. (Here we shall move the zahnoscope so that we see only Mendicula’s noble face in the appropriate slide …)
    Abolishing all base doubts like apples from an orange tree, Prince Mendicula from this moment holds Patricia and his soldier-hero more highly than ever in his self-esteem. More, he encourages them to be friends, to share confidences, and to enjoy generally each other’s company without fear of restraint on his account. Witness the three of them, arms about each, people of noble birth behaving nobly, eh?
    Contentedly, Mendicula steps back and engages himself in administering the realm, allowing General Gerald to escort Patricia to balls, to the opera, and other idle occasions. Far from showing to her husband gratitude for his trust, Patricia is slightly cool towards him, as he notes with sorrow, hand on brow. Again, far from blaming her, he still blames himself for having chased Jemima.
    So he is forced into a position where thoughts of Jemima pursue him. Although she repelled his advances, he knows she liked his company. We’ll have some music here. One day, he rides back through the forest to see her. To the prince’s delight, Jemima still resides at the inn. He discovers her polishing one of the tankards. They fervently talk for hours. He presses her for a kiss, which she warmly bestows. Although she permits no liberties further, her company is so animated that Prince Mendicula sits all night up talking to her. As you observe, the Lady Jemima also plays the lute and sings well.
    Night passes too soon. When dawn filters across the lake, which of course is outside, the Prince once more remembers the realities of his life. Embracing Jemima and thanking her courteously, he tears away himself from her to saddle his horse and ride furiously back to Gorica. Or possibly he will have to run furiously, since Bonihatch and I cannot find no horse what will stand motionless in a galloping position for five minutes in a time.
    Back to the city, he bursts into Patricia’s room. He has dismounted first, by the way, if he has a horse. If not, then not. Her bed lies unemployed. The prince then runs to General Gerald’s apartments. The general’s bed is empty also. In anguish, he rushes through the entire building, to come upon them both in the garden of roses.
    Sharply, he dismisses his general, what goes out looking so angry as you can observe, and questions sharply his wife about her actions. She becomes as cold as a snowman, explaining how it happened merely that both she and Gerald rose early and met in the garden by accident. This is after all a day of festival, when many people rise early. Here we see some of them, having risen. She says he has no right to question her.
    Trouble-sore and saddle-sore, the prince sinks to a bench. She says nothing. He faintly asks her if she and Gerald kiss like lovers. At this, she becomes more angry, evades his question, and demands to know where he has been all night; word has reached her ear – you see how beautiful it is – that what he has somewhere a woman outside the city. The prince replies that no woman means anything in his life except her to what he is wedded to. Patricia scorns this remark, saying that she has observed how he is continually interested in women. We see them stand backs to backs in a picture of frustration and good breeding.
    This difficult position is resolved by the return of General Gerald in his military hat. He has put on a good face and a new tunic to announce that on the morrow he will bring his betrothed to Gorica to meet the prince. Patricia walks away with her bunch of roses. Or perhaps just one rose, to save expense.
    Once again, Mendicula summons up all his upbringing and dismisses suspicions to the wall. He shakes warmly hands in

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