seeâI just was a little worried about him, and I thought it might be a good idea for him to talk through whatever was on his mind.
âAll right!â he yelled, throwing his arms up in the air. âAll right, all right, all right! Just shut up!â
âSorry,â I said.
âNot you ,â he said. âThem.â
âWho?â I asked, though I knew who he meantâthe voices.
âMy head hurts,â he said. âOkay? It hurts, so donât be loud.â
I stayed quiet.
âThe pillars can go right here, along the road,â he said, pointing to where heâd been shuffling around in the dirt. I looked. Heâd marked out a big X with his feet. âOne here, and one over there, and one down there, and so on. Got it?â
I followed where he was pointing and saw that heâd made a whole line of big Xâs in the road, about fifty feet apart.
âAnd the front doors will go over there,â he went on. âThe stage can be where that field isâweâll have to level it out, but I think it will work. And the dressing rooms will have to be on the second floor, or maybe in the basement. If we even have a basement. Iâm not sure if we can, because it depends on whether I can get John Fitzgerald to loan me his backhoe. But itâs going to be a big one, see? A really big one.â
âA big what?â I asked, thinking meanwhile, Note to self: Call John Fitzgerald and tell him to keep an eye on his backhoe .
He sighed. âA theater, Haley,â he said. âThatâs what Iâve been trying to tell people, but nobody listens. A theater of the human spirit.â
I was impressed, though I had no idea what he was talking about. Whatever he had in that unraveling little mind of his, it certainly sounded grand.
âWhoâs this theater for?â I asked.
âAnyone whoâs human qualifies as a performer,â he said. âItâs automatic. You can get up onstage and do whatever you want. But first, I want it to be for the Indians. They get first shot at it.â
I had to pause a minute to be sure I heard him right.
âYouâre building a theater for Indians?â I said. âHere, in Mannville?â
âItâs not just for them,â he said. âItâs for everyone . But they should have the first chance, because they havenât been allowed to tell their story yet. This will be a place where people can come and tell their stories. Theyâve been silenced , Haley. Itâs not right. Someone has to help them get their voice back, and Iâm going to do it.â
âMy goodness,â I said.
âYou think Iâm crazy,â he said.
âNo, I donât.â
âYes, you do.â
âFrankieâ¦â
âLook,â he said. He jammed his cap on his head and looked at me. His expression was wild and haunted. There was a kind of desperation in his eyes, and that look he normally hadâthe look of being homesick, soulsickâseemed to have spilled over his whole being. âI know how to raise money for it and everything,â he said. â You donât have to help. I donât need you . I can do it alone. Itâs important, Haley. Someone has to give them their voice back, or I donât know what will happen. But itâll be bad. Itâs already bad. And itâs going to get worse.â
âWhatâs going to get worse?â
âThe state of communication,â he said. He looked up at the sky and licked his lips. Then he took his hat off again and started twisting it. âThe state of communication in the world today,â he said, âis very, very bad.â
âHow are you going to raise the money?â I asked him.
âI canât tell you that,â he said. âItâs classified. But when I get it, Iâll build the theater and they can come from all over. People from the whole world can come right here,