again by the time I reached home.
C HAPTER T HREE
S PINDLE D ANCE
T he deeper I went into the Midlands, the more familiar the land became to me. I knew the prairies and plateaus, the green smell of the river in the morning, and the cry of the sage hens. I knew the name of every plant and bird. Even the dust tasted familiar in my mouth. Sirlofty seemed to sense that we were nearing home, for he went more eagerly.
One midmorning, I reined in Sirlofty and considered an unexpected choice. A crudely lettered sign on a raw plank leaned against a pile of stacked stone by the side of the road. “ SPINDLE DANCE ” was spelled out on the coarse slab. The roughly drawn characters were the work of a hand that copied shapes rather than wrote letters. A rough cart track led away from the well-traveled river road. It crested a slight rise; its hidden destination was beyond that horizon.
I debated with myself. It was a diversion from my father’s carefully planned itinerary, and I did not know how long a detour it might prove. Yet I recalled a promise from my father to show me someday the monuments of the Plainspeople. The Dancing Spindle was one of them. I suddenly felt it was owed to me. I set the rein against Sirlofty’s neck and we turned aside from the road.
The trail was not badly rutted, but enough traffic had passed this way that it was easy to follow. When I reached the top of the ridge, I found myself looking down into a pleasant little vale. Trees at the bottom indicated a watercourse. The cart track sidled down to the trees and then vanished into them.
Smelling water, Sirlofty quickened his pace and I allowed him his head. When we reached the brook, I allowed him to water freely, and knelt to quench my own thirst. Refreshed, I remounted and rode on. The cart track followed the brook for a short way and then crossed it. I resolutely pushed aside worry over how much time I was wasting. An inexplicable excitement was building in me; I felt compelled to follow the trail.
We followed the track as it climbed up out of the valley, over a rocky ridge and onto a rather barren plateau. A short distance away, the plateau gave way abruptly to a substantial canyon, as if some angry god had riven the earth here with an immense ax. The trail plunged down sharply to the distant floor. I reined in Sirlofty and sat looking down at a strange and marvelous sight.
The cracked earth of the canyon walls displayed seams of colored stone, sparkling white and deep orange and red, and even a dusky blue. A roofless city, the walls worn to knee-high ridges and tumbled rubble, floored the canyon. I wondered what war or long-ago disaster had brought the city down. Dominating the canyon and dwarfing the city at its base was the Dancing Spindle of the Plainsmen. No tale could have prepared me for the sight. The immense pillar leaned at a sharp, impossible angle. I shivered at the sight.
The Spindle was named for the woman’s spinning tool, and in truth it resembled a rounded rod with tapered ends, but of such a size that it beggared comparison. It had been chiseled out of red stone striated with bands of white. One end towered high abovethe canyon floor while the other was set in a deep depression in the earth, as if it drilled a bed for itself in the stony ground. The spiraling white stripes on the pillar and a heat shimmer rising between me and it created a convincing illusion that the Spindle was truly spinning
The monument cast a long, black shadow over the ground at its base. The lone building that had survived whatever had slain the rest of the city was a tower edged with winding steps that spiraled up to almost reach the lower side of the tilted spindle’s topmost tip. For the life of me, I could not see why the Spindle had not toppled ages ago. I sat on my horse grinning and enjoying the deception of my eyes. At any moment I expected the spinning Spindle to waver in its gyration and fall to the earth, spent.
But it did not. As I started
C HAPTER T HREE
S PINDLE D ANCE
T he deeper I went into the Midlands, the more familiar the land became to me. I knew the prairies and plateaus, the green smell of the river in the morning, and the cry of the sage hens. I knew the name of every plant and bird. Even the dust tasted familiar in my mouth. Sirlofty seemed to sense that we were nearing home, for he went more eagerly.
One midmorning, I reined in Sirlofty and considered an unexpected choice. A crudely lettered sign on a raw plank leaned against a pile of stacked stone by the side of the road. “ SPINDLE DANCE ” was spelled out on the coarse slab. The roughly drawn characters were the work of a hand that copied shapes rather than wrote letters. A rough cart track led away from the well-traveled river road. It crested a slight rise; its hidden destination was beyond that horizon.
I debated with myself. It was a diversion from my father’s carefully planned itinerary, and I did not know how long a detour it might prove. Yet I recalled a promise from my father to show me someday the monuments of the Plainspeople. The Dancing Spindle was one of them. I suddenly felt it was owed to me. I set the rein against Sirlofty’s neck and we turned aside from the road.
The trail was not badly rutted, but enough traffic had passed this way that it was easy to follow. When I reached the top of the ridge, I found myself looking down into a pleasant little vale. Trees at the bottom indicated a watercourse. The cart track sidled down to the trees and then vanished into them.
Smelling water, Sirlofty quickened his pace and I allowed him his head. When we reached the brook, I allowed him to water freely, and knelt to quench my own thirst. Refreshed, I remounted and rode on. The cart track followed the brook for a short way and then crossed it. I resolutely pushed aside worry over how much time I was wasting. An inexplicable excitement was building in me; I felt compelled to follow the trail.
We followed the track as it climbed up out of the valley, over a rocky ridge and onto a rather barren plateau. A short distance away, the plateau gave way abruptly to a substantial canyon, as if some angry god had riven the earth here with an immense ax. The trail plunged down sharply to the distant floor. I reined in Sirlofty and sat looking down at a strange and marvelous sight.
The cracked earth of the canyon walls displayed seams of colored stone, sparkling white and deep orange and red, and even a dusky blue. A roofless city, the walls worn to knee-high ridges and tumbled rubble, floored the canyon. I wondered what war or long-ago disaster had brought the city down. Dominating the canyon and dwarfing the city at its base was the Dancing Spindle of the Plainsmen. No tale could have prepared me for the sight. The immense pillar leaned at a sharp, impossible angle. I shivered at the sight.
The Spindle was named for the woman’s spinning tool, and in truth it resembled a rounded rod with tapered ends, but of such a size that it beggared comparison. It had been chiseled out of red stone striated with bands of white. One end towered high abovethe canyon floor while the other was set in a deep depression in the earth, as if it drilled a bed for itself in the stony ground. The spiraling white stripes on the pillar and a heat shimmer rising between me and it created a convincing illusion that the Spindle was truly spinning
The monument cast a long, black shadow over the ground at its base. The lone building that had survived whatever had slain the rest of the city was a tower edged with winding steps that spiraled up to almost reach the lower side of the tilted spindle’s topmost tip. For the life of me, I could not see why the Spindle had not toppled ages ago. I sat on my horse grinning and enjoying the deception of my eyes. At any moment I expected the spinning Spindle to waver in its gyration and fall to the earth, spent.
But it did not. As I started
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