A People's Tragedy

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Authors: Orlando Figes
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altogether and centre power on the court. Yet none of his amiable but dim-witted courtiers was remotely capable of providing him with sound advice on how to rule the country, coming as they did from a narrow circle of aristocratic Guards officers who knew nothing of the Russia beyond St Petersburg's fashionable streets. Most of them were contemptuous of Russia, speaking French not Russian and spending more time in Nice or Biarritz than on their landed estates in the provinces. Under the court's growing domination, Nicholas's government was unable to create coherent policies to deal with the
    mounting problems of society which were leading inexorably towards revolution.
    During its final years, especially after Stolypin's downfall in 1911, the government drifted dangerously as one sycophantic mediocrity after another was appointed Prime Minister by the Tsar. Nicholas himself spent more and more time away from his office.
    Government business had to be delayed for weeks at a time, while he went off on hunting trips, yachting parties and family holidays to the Crimea. But in the apparently secure refuge of his family another tragedy was unfolding.
    iiiThe Heir
    The Empress Alexandra found the jubilee celebrations a strain. She dragged herself with difficulty to all the public functions, but often left early with obvious signs of distress.
    At the magnificent ball given by the Moscow nobility she felt so ill that she could scarcely keep her feet. When the Emperor came to her rescue, it was just in time to lead her away and prevent her from fainting in public. During the gala performance at the Marinsky Theatre she appeared pale and sombre. Sitting in the adjacent box, Meriel Buchanan, the British Ambassador's daughter, observed how the fan she was holding trembled in her hands, and how her laboured breathing:
    made the diamonds which covered the bodice of her gown rise and fall, flashing and trembling with a thousand uneasy sparks of light. Presently, it seemed that this emotion or distress mastered her completely, and with a few whispered words to the Emperor she rose and withdrew to the back of the box, to be no more seen that evening. A little wave of resentment rippled over the theatre.24
    The fact was that the Empress had not appeared in public on more than a dozen occasions during the previous decade. Since the birth of her haemophiliac son, the Tsarevich Alexis, in 1904, she had secluded herself at the Alexander Palace at Tsarskoe Selo and other imperial residences away from the capital. It had been hoped that she would use the opportunity of the tercentenary to improve her public image. Having turned her back on society, she had come to be seen as cold and arrogant, while her dependence on the 'holy man' Rasputin had long been a matter of political concern because of his growing domination of the court. Yet shortly before the jubilee the illness of her son had taken a turn for the worse, and this was constantly on her mind during the celebrations. To make matters worse, Tatyana, her second daughter, had fallen ill with typhoid after drinking the infected water of the capital.
    Alexandra did her best to conceal her inner anguish from the public. But she lacked the heart to go out and win their sympathy.
    Alexandra was a stranger to Russia when she became its Empress. Since the eighteenth century, it had become the custom for Romanov rulers to marry foreign princesses. By the end of the nineteenth, inter-marriage had made the Romanovs an integral part of the family of European crowned heads. Their opponents liked to call them the 'Gottorp-Holstein' dynasty, which in genealogical terms was not far from the truth. Most statesmen shared the view that the balance of power in Europe would be secured by these dynastic ties. So there was reason to welcome the engagement in April 1894 of the Tsarevich Nicholas to Princess Alexandra, or Alix for short, daughter of the Grand Duke of Hesse-Darmstadt and Princess Alice of England. It

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