A People's Tragedy

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Authors: Orlando Figes
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From her letter to Queen Victoria it was clear that the mystical attractions of Byzantine despotism had taken early possession of her. Even more than her mild-mannered husband, Alexandra believed that Russia could still be ruled — and indeed had to be — as it had been ruled by the medieval tsars. She saw the country as the private fiefdom of the crown: Russia existed for the benefit of the dynasty rather than the other way round. Government ministers were the private servants of the Tsar, not public servants of the state. In her bossy way she set out to organize the state as if it was part of her personal household. She constantly urged her husband to be more forceful and to assert his autocratic will. 'Be more autocratic than Peter the Great', she would tell her husband, 'and sterner than Ivan the Terrible.' She wanted him to rule, like the medieval tsars, on the
    basis of his own religious convictions and without regard for the constraints of the law.
    'You and Russia are one and the same,' she would tell him as she pushed him this way and that according to her own ambitions, vanities, fears and jealousies. It was the Tsarina and Rasputin who — at least so the public thought — became the real rulers of tsarist Russia during the final catastrophic years. Alexandra liked to compare herself with Catherine the Great. But in fact her role was much more reminiscent of Marie Antoinette, the last queen of ancien-regime France, whose portrait hung over her writing desk in the Alexander Palace.27
    Alexandra made it her mission to give the Romanov dynasty a healthy son and heir. But she gave birth to four daughters in succession. In desperation she turned to Dr Philippe, a practitioner of 'astral medicine', who had been introduced to the imperial family in 1901 during their visit to France. He convinced her she was pregnant with a son, and she duly expanded until a medical examination revealed that it was no more than a sympathetic pregnancy. Philippe was a charlatan (he had been fined three times in France for posing as a regular practitioner) and left Russia in disgrace. But the episode had revealed the Empress's susceptibility to bogus forms of mysticism. One could have predicted this from the emotional nature of her conversion to Orthodoxy. After the cold and spartan spiritual world of north German Protestantism, she was ravished by the solemn rituals, the chanted prayers and the soulful singing of the Russian Church. With all the fervour of the newly converted, she came to believe in the power of prayer and of divine miracles. And when, in 1904, she finally gave birth to a son, she was convinced it had been due to the intercession of St Seraphim, a pious old man of the Russian countryside, who in 1903 had been somewhat irregularly canonized on the Tsar's insistence.
    The Tsarevich Alexis grew up into a playful little boy. But it was soon discovered that he suffered from haemophilia, at that time incurable and in most cases fatal. The disease was hereditary in the House of Hesse (one of Alexandra's uncles, one of her brothers and three of her nephews died from it) and there was no doubt that the Empress had transmitted it. Had the Romanovs been more prudent they might have stopped Nicholas from marrying her; but then haemophilia was so common in the royal houses of Europe that it had become something of an occupational hazard. Alexandra looked upon the illness as a punishment from God and, to atone for her sin, devoted herself to religion and the duties of motherhood. Had the nature of her son's illness not been kept a secret, she might have won as a mother that measure of sympathy from the public which she so utterly failed to attract from it as an Empress. Alexandra constantly watched over the boy lest he should fall and bring on the deadly internal bleeding from which the victims of haemophilia can suffer. There was no way he could lead the life of a normal child, since the slightest accident
    could start the bleeding. A

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