A People's Tragedy

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Authors: Orlando Figes
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was expected that the Princess would have plenty of time to prepare herself for the role of Empress. But Alexander III died only six months later, and the 22-year-old woman suddenly found herself on the Russian throne.
    Although in later years she was to be cursed by her subjects as 'the German woman', Alexandra was in fact in many ways the quintessential English woman. After the death of her mother, in 1878, she had been brought up in England by her grandmother, Queen Victoria, whose strict morals, attitudes and tastes, not to speak of her tenacity of purpose, she had assimilated. Alexandra spoke and wrote with Nicholas in English.
    Russian she spoke poorly, with a heavy English accent, only to servants, officials and the clergy. Her housekeeping at the Alexander Palace was austerely Victorian. Factory-produced furniture was ordered from Maples, the English middle-class department store, in preference to the fine imperial furniture which much better suited the classic Empire style of the Alexander Palace. Her four daughters shared a bedroom, sleeping on narrow camp-beds; the Empress herself was known to change the sheets. Cold baths were taken every day. It was in many ways the modest ambition of Nicholas and Alexandra to lead the lifestyle of the English middle class. They spoke the cosy domestic language of the Victorian bourgeoisie: 'Hubby' and 'Wifey' were their nicknames for each other.25 But the Empress was wrong to assume, as she did from her knowledge of the English court, that such a lifestyle, which in England was a result of the monarch's steady retreat from the domain of executive power, might be enjoyed by a Russian autocrat.
    From the beginning, Alexandra gave the impression of resenting the public role which her position obliged her to play. She appeared only rarely at court and social functions and, being naturally shy, adopted a pose of reserve in her first appearances, which made her seem awkward and unsympathetic. She gained a reputation for coldness and hauteur, two very un-Russian vices. 'No one liked the Tsarina,' wrote the literary hostess Zinaida Gippius. 'Her sharp face, beautiful, but ill-tempered and depressed, with thin, tightly pressed lips,
    did not please; her German, angular height did not please.' Learning of her granddaughter's unpopularity, Queen Victoria wrote to her with some advice: There is no harder craft than our craft of ruling. I have ruled for more than fifty years in my own country, which I have known since childhood, and, nevertheless, every day I think about what I need to do to retain and strengthen the love of my subjects. How much harder is your situation. You find yourself in a foreign country, a country which you do not know at all, where the customs, the way of thinking and the people themselves are completely alien to you, and nevertheless it is your first duty to win their love and respect.
    Alexandra replied with an arrogance suggesting her reputation was deserved: You are mistaken, my dear grandmama; Russia is not England. Here we do not need to earn the love of the people. The Russian people revere their Tsars as divine beings, from whom all charity and fortune derive. As far as St Petersburg society is concerned, that is something which one may wholly disregard. The opinions of those who make up this society and their mocking have no significance whatsoever.
    The contents of this correspondence soon became known in St Petersburg circles, resulting in the complete breakdown of relations between the leaders of high society and the Empress. She steadily reduced her public appearances and limited her circle of friends to those from whom she could expect a slavish devotion. Here lay the roots of her paranoic insistence on dividing court and society into 'friends' and 'enemies', which was to bring the monarchy to the brink of catastrophe.26
    The unpopularity of the Empress would not have mattered so much had she not taken it upon herself to play an active political role.

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