the fact that we entered the competition so late, but gathered votes so fast. Even that, though, is only quite entertaining. In the end they all nod without looking up at us and tell us we can go.
Part one of the audition: probable fail.
Next is Bert Blackwell, the musical director. We meet him in a large, airy room containing a grand piano, several instruments stacked neatly against the wall, and another TV guy wandering round with a camera.
âHi,â Bert says, welcoming us in. âIâve seen your video. My job is to find out how much talent you really have lurking there. The videoâs part of the story, but we want acts with real potential. Letâs see what you can do.â
OK. No pressure, then.
Heâs gentle, but very organised, and a brilliant pianist, sitting at an electric piano with a vast array of buttons above the keyboard. We sing âI See the Lightâ for him, first together, then individually. Then he gets us to sing a range of phrases from different songs. Itâs quickly obvious â although it never was to us before â that Jodie has the loudest voice, but can lapse into a bad American accent if sheâs not careful. She promises to watch it. Nell is the quietest and needs to project. When sheâs by herself, she gets so nervous you can hardly hear her. But if she breathes properly, as Bert suggests, her beautiful tone shines through.
When itâs my turn to sing, I instantly stop at the sound of my husky voice in the mic.
âWhatâs the problem?â Bert asks.
âItâs just the gravel,â I say apologetically.
Bert frowns at me. âGravel?â
âMy old choir teacher said I sounded like a load of gravel being poured down a hole.â
He smiles. âI see what she meant. But I suppose she didnât think to mention that can be a good thing? Not for choirs, maybe, but for rock songs. Try this.â
He plays a few bars of âHey Judeâ by the Beatles.
âDo you know it?â
Of course I do. Dad taught it to me in my cot, practically. Plus, Rose and I often sing the Beatles together. In fact she canât help harmonising with me when I hit the chorus.
âNot bad,â Bert says, watching me closely, âbut you need to be careful of the high notes. You tend to go flat.â
âI know,â I admit. I donât have the natural talent of Rose or Jodie. I love to sing, but there is no way I will ever be Paul McCartney.
âLoosen up,â Bert says. âEnjoy yourself. Believe it or not, that will help.â He smiles enigmatically and makes notes on a clipboard.
âRight, Rose,â he says eventually. âYou last. I did some research and I notice from your Interface page that you like jazz. Shall we try some Nina Simone?â
He starts the introduction of âMy Baby Just Cares For Meâ, which is one of Roseâs favourite songs of all time. All the way through the opening bars she just stares at me. Her eyes say clearly, He did some research on my Interface page? Who is this weirdo? She only has a personal page at all because we did it as an exercise in ICT.
She looks nervous, but she knows the song so well and Bert plays it so expertly that when the time comes, her voice seems to take off, and there it is again: that warm,jazzy tone we heard at Georgeâs party. To me, it sounds as if sheâs got the best voice of all.
âThat was lovely,â Bert smiles when sheâs finished. âYou have impeccable timing. And a real gift. When youâre in your comfort zone, you definitely stand out.â
Rose shifts around, super-embarrassed, staring at the floor.
I give her a squeeze, while Bert makes more notes on his clipboard.
âThatâs it. You can go now. Good luck with the judges.â
What exactly was he writing on that clipboard? It was a lot.
âYou were amazing,â I whisper to Rose as we leave.
She shakes her head. âNot
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