What You Make It

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Authors: Michael Marshall Smith
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clouds overhead, and rolled his eyes – a standard gambit. I turned one corner of my mouth down and shrugged with the other shoulder, a more adventurous riposte, in recognition of the fact that this was the last time the gamewould ever be played. For a moment I wanted to do more, to say something, reach out and shake his hand; but that would have been too obvious a goodbye. Perhaps no one would have stopped me anyway, as it has become abundantly clear that I am as powerless as everyone else – but I didn't want to take the risk.
    Then I found my car among the diminishing number which still park there, and left the compound for good.
    The worst part, for me, is that I knew Philip Ely, and understand how it all started. I was sent to work at the facility because I am partly to blame for what has happened. The original work was done together, but I was the one who had always given credence to the paranormal. Philip had never paid much heed to such things, not until they became an obsession. There may have been some chance remark of mine which made him open to the idea. Just having known me for so long may have been enough. If it was, then I'm sorry. There's not a great deal more I can say.
    Philip and I met at the age of six, our fathers having taken up new positions at the same college – the University of Florida, in Gainesville. My father was in the Geography Faculty, his in Sociology, but at that time – the late ’80s – the departments were drawing closer together and the two men became friends. Our families mingled closely, in shared holidays on the coast and countless back-yard barbecues, and Philip and I grew up more like brothers than friends. We read the same clever books and hacked the same stupid computers, and even ended up losing our virginity on the same evening. One spring when we were both sixteen I borrowed my mother's car and the two of us loaded it up with books and a laptop and headed off to Sarasota in search of sun and beer. We found both, in quantity, and also two young English girls on holiday. We spent a week in courting spirals of increasing tightness, playing pool and talking fizzy nonsense over cheap and exotic pizzas, and on the last night two couples walked up the beach in different directions.
    Her name was Karen, and for a while I thought I was in love. I wrote a letter to her twice a week, and to this day she's probably received more mail from me than everyone else put together. Each morning I went running down to the mailbox, and ten years later the sight of an English postage stamp could still bring a faint rush of blood to my ears. But we were too far apart, and too young. Maybe she had to wait a day too long for a letter once, or perhaps it was me who without realizing it came back empty-handed from the mailbox one too many times. Either way the letters started to slacken in frequency after six months and then, without either of us ever saying anything, they simply stopped altogether.
    A little while later I was with Philip in a bar and, in between shots, he looked up at me.
    ‘You ever hear from Karen any more?’ he asked.
    I shook my head, only at that moment realizing that it had finally died. ‘Not in a while.’
    He nodded, and then took his shot, and missed, and as I lined up for the black I thought that he'd probably been through a similar thing. For the first time in our lives we'd lost something. It didn't break our hearts. It had only lasted a week, after all, and we were old enough to know that the world was full of girls, and that if we didn't hurry we'd hardly have got through any of them before it was time to get married.
    But does anyone ever replace that first person? That first kiss, first fierce hug hidden in dunes and darkness? Sometimes, I guess. I kept the letters from Karen for twenty years. Never read them, just kept them. Last week I threw them all away.
    What I'm saying is this. I knew Philip for a long, long time, and I understood what we were trying to do.

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