Vintage Vampire Stories

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Authors: Robert Eighteen-Bisang
wonderfully beautiful! I longed to hear her speak. Presently she whispered a few words to the man behind her, and I felt my flesh creep. Low as they were modulated, there was in every syllable a tone of such utter hopelessness, such abiding sorrow, regret, even remorse, always present, always kept down, that I could have imagined her one of those lost spirits for whom is fixed the punishment of all most cruel, most intolerable, that they can never forget they are formed for better things. Her gestures, too, were in accordance with the sad, suggestive music of her voice—quiet, graceful, and somewhat listless in the repose, as it seemed, rather of unhappiness than of indolence. I tell you I was not susceptible; I don’t think boys generally are. In love, more than in any other extravagance, ‘there is no fool like an old one.’
    â€œI was as little given to romance as a ladies’ doctor; and yet, sitting in that box watching the turn of her beautiful head as she looked towards the stage, I said to myself, ‘I’ll take good care she never gets the upper hand of me. If a man once allowed himself to like her at all, she is just the sort of woman who would blight his whole life for him, and hunt the poor devil down to his grave!’ Somebody else seemed to have no such misgivings, or to have arrived at a stage of infatuation when all personal considerations had gone by the board. If ever I saw a calf led to the slaughter it was Count V—, a calf, too, whose throat few women could have cut without compunction. Handsome, manly, rich, affectionate, and sincere, worshipping his deity with all the reckless devotion, all the unscrupulous generosity of his brave Hungarian heart, I saw his very lip quiver under its heavy moustache when she turned her glittering eyes on him with some allusion called up by the business of the stage, and the proud, manly face that had never quailed before an enemy grew white in the intensity of its emotion. What made me think of a stag I once found lying dead in a Styrian pass, and a golden eagle feasting on him with her talons buried in his heart?
    â€œThe Gräfinn, to whom the box belonged, noticed my abstraction. ‘Don’t fall in love with her,’ she whispered; ‘I can’t spare you just yet. Isn’t she beautiful?’
    â€œâ€˜You introduced me,’ was my answer, ‘but you never told me her name.’
    â€œâ€˜How stupid!’ said the Gräfinn. ‘At present she is a Madame de St. Croix, an Englishwoman, nevertheless, and a widow, but not likely to remain so long.’ And with a mischievous laugh she gave me her hand as I left the box, bowing to Madame de St. Croix and also to the Hungarian, who in his happy pre-occupation was perfectly unconscious of my politeness.
    â€œI saw them again in the crush-room.The Gräfinn had picked up an attaché to some legation, who put her dutifully into her carriage. The Hungarian was still completely engrossed with Madame de St. Croix. I had not yet forgotten the look on his handsome face when she drove off with her friend. ‘He’s a fool,’ I said to myself; ‘and yet a woman might well be proud to make a fool of such a man as that.’
    â€œI left London in the middle of the season and thought no more of Madame de St. Croix. I had seen a pretty picture, I had heard a strain of sweet music, I had turned over the page of an amusing romance—there was an end of it.
    â€œThy following winter I happened to spend in Vienna. Ofcourse I went to one of the masked balls of The Redouten-Saal. I had not been ten minutes in the room when my ears thrilled to the low, seductive accents of that well-remembered voice. There she was again, masked, of course, but it was impossible to mistake the slim, pliant figure, the graceful gestures, the turn of the beautiful head, and the quiet energy that betrayed itself, even in the small, gloved hand. She was talking to a

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