because she thought the man a murderer. Rather because she knew the meaning of the passage. It ref lected a heart of regret. One of frustration. And she wondered what heâd been regretting in that moment when heâd quoted it. Was it giving Miss Sinclair permission to redecorate, perhaps? Understanding all the money the woman had spent? Or . . . was it another kind of regret entirely? What if heâd been referring to something far more personal?
That possibility caused her to go still inside. What if heâd been referring toâ
âMrs. Pruitt!â Miss Sinclair called out, the sharp staccato of fashionable boots approaching.
Savannah hastily returned the leather tome to the shelf and raced to stand behind the door in case Miss Sinclair looked inside the room. But the footsteps continued on toward the kitchen, and Savannah leaned her head back against the wall and allowed herself to breathe again.
The last three or four days, Miss Sinclair had seemed bent on accomplishing everything sheâd planned and more, and with good reason. She was set to return to Boston later that week.
At the womanâs insistence, Savannah had brought her sewing machine last week and had set it up in the boysâ old bedroom upstairs in order to sew decorative pillows to the womanâs precise specifications. And Savannah had sewn a dozen so far, with another dozen cut out and ready to be sewn. Where visitors were going to sit when they came calling, she didnât know.
But there was a new desperation to Miss Sinclairâs efforts to make this house her home, and Savannah didnât have to wonder long as to why. Even she sensed the distancing between the couple. She wasnât privy to details about the pending nuptials, which was just as well. She got a sinking feeling in her gut every time she thought about it. Which she tried not to do.
Listening for footsteps and hearing none, Savannah opened the door as Mrs. Pruittâs voice carried toward her from the kitchen.
âYes, Miss Sinclair. Last I saw Miss Anderson, she was upstairs sewing the pillows you requested, maâam.â
Peering down the hallway and seeing the back of Miss Sinclairâs dress, Savannah made a dash for the stairs and raced up, avoiding the risers with the worst creaks and half deciding that whatever box her father had hidden was gone. Or perhaps . . . Heart pounding, she slipped into the boysâ bedroom and took her seat at the sewing machine. Perhaps it had already been found.
Miss Sinclairâs steps sounded on the stairs, and Savannah picked up one of the partially sewn patterns, trying not to appear as guilty as she felt. It had been hard enough to be in Priscilla Sinclairâs company before. But with what had happened with Mr. Bedfordâ
But what had really happened? After all was said and done? Nothing. Heâd looked at her. That was all. And as she and Maggie and Maryâher closest friendsâhad said in younger years, âIt doesnât take much to get a boy to look. It is getting him to look at the right things that matters.â
The same was true for men, she guessed. Even though she wanted to believe Aidan Bedford was different. But in the end, how much did she really know about the man? Other than that heâd purchased her familyâs farm, he was searching for a haven, and he held an appreciation for Shakespeare.
As well as a tiny part of her heart.
âMiss Anderson?â Miss Sinclair peered through the doorway, breathless. âQuickly! I need to discuss something with you in the central parlor. Posthaste! Itâs about the furniture!â
CHAPTER NINE
ââ AND EVERY PIECE OF FURNITURE IN THIS ROOM MUST GO . Surely youâre in agreement, Miss Anderson.â
Aidan overheard Priscillaâs voice as he opened the front door. His interest more than piqued, especially after the day heâd had, he paused in the foyer. The door to the central parlor on
Anni Taylor
Elizabeth Hayes
Serena Simpson
M. G. Harris
Kelli Maine
Addison Fox
Eric R. Johnston
Mary Stewart
Joyce and Jim Lavene
Caisey Quinn