This Is How You Lose Her

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Authors: Junot Díaz
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call me. You have to decide where and when, you said. If you leave it up to me I’ll want to see you every day.
    At least you were honest, which is more than I can say for me. Weekdays I never called you, didn’t even miss you. I had the boys and my job at Transactions Press to keep me busy. But Friday and Saturday nights, when I didn’t meet anybody at the clubs, I called. We talked until the silences were long, until finally you asked, Do you want to see me?
    I’d say yes and while I waited for you I’d tell the boys it’s just sex, you know, nothing at all. And you’d come, with a change of clothes and a pan so you could make us breakfast, maybe cookies you baked for your class. The boys would find you in the kitchen the next morning, in one of my shirts and at first they didn’t complain, because they guessed you would just go away. And by the time they started saying something, it was late, wasn’t it?
    —
    I REMEMBER: THE BOYS keeping an eye on me. They figured two years ain’t no small thing, even though the entire time I never claimed you. But what was nuts was that I felt fine. I felt like summer had taken me over. I told the boys this was the best decision I’d ever made. You can’t be fucking with whitegirls all your life.
    In some groups that was more than a given; in our group it was not.
    In that Joyce class you never spoke but I did, all the time, and once you looked at me and I looked at you and you turned so red even the professor noticed. You were whitetrash from outside of Paterson and it showed in your no-fashion-sense and you’d dated niggers a lot. I said you had a thing about us and you said, angry, No, I do not.
    But you sort of did. You were the whitegirl who danced bachata, who pledged the SLUs, who’d gone to Santo Domingo three times already.
    I remember: you used to offer me rides home in your Civic.
    I remember: the third time I accepted. Our hands touched in between our seats. You tried to talk to me in Spanish and I told you to stop.
    We’re on speaking terms today. I say, Maybe we should go hang out with the boys, and you shake your head. I want to spend time with you, you say. If we’re still good, next week maybe.
    That’s the most we can hope for. Nothing thrown, nothing said that we might remember for years. You watch me while you put a brush through your hair. Each strand that breaks is as long as my arm. You don’t want to let go, but don’t want to be hurt, either. It’s not a great place to be but what can I tell you?
    We drive up to Montclair, almost alone on the Parkway. Everything’s quiet and dark and the trees shine from yesterday’s rains. At one point, just south of the Oranges, the Parkway passes through a cemetery. Thousands of gravestones and cenotaphs on both sides. Imagine, you say, pointing to the nearest home, if you had to live in that place.
    The dreams you’d have, I say.
    You nod. The nightmares.
    We park across from the map dealer and go to our bookstore. Despite the proximity of the college, we’re the only customers, us and a three-legged cat. You sit yourself down in an aisle and start searching through the boxes. The cat goes right for you. I flip through the histories. You’re the only person I’ve ever met who can stand a bookstore as long as I can. A smarty-pants, the kind you don’t find every day. When I come back to you again you have kicked off your shoes and are picking at the running calluses on your feet, reading a children’s book. I put my arms around your shoulders. Flaca, I say. Your hair drifts up and clings to my stubble. I don’t shave often enough for anybody.
    This can work, you say. We just have to let it.
    —
    T HAT LAST SUMMER you wanted to go somewhere so I took us out to Spruce Run; we’d both been there as children. You could remember the years, even the months of your visits, but the closest I came was Back When I Was Young.
    Look at the Queen Anne’s lace, you said. You were leaning out the window into

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