doinâ his hardest tricks and thenâ¦boomâ¦he comes out with this random comment âbout someone in the crowd. Itâs pretty cool.â
âUh-huh.â Marshall sounds unconvinced.
âItâs not that cool,â I say.
I stare at Marshallâs tiny, neat writing, but I canât read what it says upside down. What if his blog post makes me look stupid?
We get off at Union Station and walk east. Everything feels wrong. My hands are sweating. My hair feels stiff. How am I supposed to perform with stiff hair?
âTell me where weâre going,â I say to Rozelle when we reach the St. Lawrence Market. I canât stand not knowing.
âRight there.â Rozelle points to an open area on the north side of the street, where the market has spilled outside.
We weave between the cars that are stopped for the light. Across the street, a few small trees shade the vendors selling fruits and vegetables at makeshift tables. Baskets overflow with strawberries, herbs and tomatoes, scenting the air and making me feel queasy. Throngs of people mill among the tables, squeezing fruit, browsing, haggling. They donât look ready for a show.
Sasha and Annette drop the stereo near a low brick wall that arcs around a concrete-lined pond. Annette moans. Sasha rubs her shoulder. Marshall sits on the brick wall, his pen perched behind his ear and a camera in one hand. His eyes never leave me.
âThis place is hoppinâ.â Rozelle glances at the Saturday crowd.
âAre we allowed to perform here?â I cringe. Too many people. Why would they want to watch me?
âSure we are, Yo-Yo. You just get ready.â
As we set up, Eleanor Rizzoâthe woman I predicted would get a jobâappears. I glare at Rozelle, who must have invited her, but sheâs busy introducing Eleanor to Marshall, who starts interviewing her. No one asks me if this is what I want.
I pull out my yo-yo and toss a few. Eleanor looks differentâbrighter, happier, better dressed. As she answers Marshallâs questions about my last show, it bugs me that I canât get a clear idea of what heâs thinking, what he might blog about me. His mouth is always set in that same thin line, and his eyes narrow like he doesnât believe a word he hears.
My scalp feels tight. Iâm on edge. When Marshall insists on taking a few photos of Eleanor and me together, I feel guilty, like Iâm still lying to her. But I canât let anything get to me. Sasha and Annette are cuing the musicâanother distraction to deal with.
I step onto the brick wall, which is just wide enough to hold me. Rozelle places a red plastic bucket in front of me. On it, sheâs painted Yo-Yo Prophet in yellow letters. âFor all the money weâre gonna make,â she says. âGet started. Then Iâll introduce you.â
âOkay.â I spin my neon yo-yo in an inside loop, hoping my hands will stay steady.
Rozelle nods to Annette, whoâs positioned beside the stereo. Marshall starts video-recording my performance, which I try to ignore. The music blares. Heads turn. I throw ten reach-for-the-moons to keep their attention.
âYou call this music?â I hear Sasha yell.
A circle of people begins to form around me. I glimpse anger flaring on Rozelleâs face, but she stays concentrated on me and the crowd.
âItâs Teknonaut,â Annette scolds. âRemember? Her brotherâs techno sound.â She nods toward Rozelle.
Iâm curious about her brotherâs music, but I have no time to think. I walk-the-dog along the brick wall.
âSome music!â Sasha hoots. âI predict great success. Does that make me a prophet too?â
I have to agree with Sasha. The music is bizarre: random noises, droning vocals and a techno beat. But I like the steady rhythm. It calms me and lets me focus.
I begin a roller-coaster trick by throwing a trapeze, making the yo-yo loop
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