around the finger of my left hand and then land back on the string. Keeping time with the music, I bounce the yo-yo off the string and swing it to loop around my right hand into another trapeze. Then I send it back again for a double or nothing on the left hand and swing into a dismount.
A few people clap. I soak it up. Itâs like rain after a drought.
âIsnât he wonderful!â exclaims Eleanor.
I head into my next trick, eager to please.
âYo, people!â Rozelle yells over the music. âThis hereâs the Yo-Yo Pro-phet!â She sounds like a hip-hop carnival caller. âA pro with a yo-yo! With a knack for predictinâ the future!â
Will she ever shut up about that? I move into a zipperâa smooth trick with loads of cool flips.
âWhoa! Look at him go!â I hear a man say.
Everyoneâs energy is feeding into mine as more people gather. Marshallâs staying near the front, his pen still lodged behind his ear, his camera glued to my every move. Annetteâs chomping on her gum like a cow chewing its cud.
The zipperâs a big hit with everyone but Sasha, whoâs not even watching. I throw a few around-the-worlds. My bloodâs pulsing, the musicâs pounding.
Then I sense a disturbance, like Iâve lost peopleâs attention. I scan between throws. A cop in uniform is striding toward me, his hat pulled low over dark sunglasses.
My legs begin to shake. I switch to a series of loop-the-loops so I can catch whatâs going on. People turn and gape as the cop pushes through.
He stops between Rozelle and Marshall, right in front of me. Annetteâs wide-eyed, one hand on the stereo, lowering the music to half volume. Sashaâs smirking. The cop tucks one thumb into a utility belt that Batman would be proud of.
âCan I see your permit?â His voice is so deep it rumbles.
âPermit?â I squeak. My yo-yo wobbles in its loop.
A few people laugh, Sasha loudest of all.
Be strong, I tell myself. Keep control.
âYou do have one, donât you?â He adjusts his hat. âThe City requires it for all street performers.â
âUhâ¦â I glance at Rozelle.
âOfficer,â Rozelle says, and I recognize that smooth voice she uses on teachers. âIâm his manager. Maybe we could talk over here?â She puts a hand on his arm, tries to lead him away.
The copâs black boots remain planted. âJust show me the permit.â
âYou donât understand. Iâmââ
âYoung lady, Iâm here to enforce the law, not chat. Now, do you have a permit?â
The crowd murmurs. Rozelle looks tiny next to this cop. Iâm just trying to keep the show goingâwhirling, twisting, endless loops.
âWeâll get one tomorrowâ,â she begins.
âNo permit. No performance.â He motions to Annette to cut the music, which she does.
My blood still keeps the beat. Iâve never done so many loops in a row.
âNo!â Rozelle yells at Annette, who doesnât move to turn it back on. âReally, sir, weâll only be a few more minutes. Let us finish.â
The cop places both hands on his hips. âIf youâre going to cause a disturbance, miss, Iâll have to take you in.â
Rozelle blinks. She scoops up the bucket. âDo we still need a permit if weâre not collectinâ money?â
âThatâs enough.â The cop pulls out a pad of paper and a pen. âWhatâs your name, young lady?â
Rozelleâs mouth falls open and then shuts.
No way. Is he going to arrest her? For some reason, this gets to me. Why should she matter?
I rev up. My hands are on fire. My cheeks feel blistered. The yo-yo and I are like a piston engine, gaining power with each crazy revolution.
âOfficer, give us another chance, please.â I find my voice, try to sound calm. âItâs not like weâre bothering anyone.
Kathleen Brooks
Alyssa Ezra
Josephine Hart
Clara Benson
Christine Wenger
Lynne Barron
Dakota Lake
Rainer Maria Rilke
Alta Hensley
Nikki Godwin