trees everywhere.
As a child I hated trees
so much I dreamed of covering the planet in asphalt.
People always wanted to know why
a child wouldnât like trees.
It was that feeling they were looking down on me.
Two hearses cross paths
on this dusty street
at the foot of the mountain.
Each one is carrying its customer
to his resting place.
The last taxi costs the most.
Death, that blind archer.
As busy at midnight as at noon.
Too many people in this city
for him, even once,
to miss his target.
All I need is to start the rumor
that Iâve returned to live there
without saying which there it is
and in Montreal people will believe
Iâm in Port-au-Prince
and in Port-au-Prince theyâll be sure
Iâm still in Montreal.
Death would mean not being
in either of those cities.
To Die in a Naïve Painting
I like to climb up the mountain, early in the morning, to get a closer look at the luxury villas set so far apart one from the other. Not a soul around. Not a sound, except the wind in the leaves. In a city this populous, the space you have to live in defines who you are. In my random walks, I discover that these vast properties are inhabited only by servants. The owners reside in New York, Berlin, Paris, Milan or even Tokyo. Like in the days of slavery when the real masters of Hispaniola lived in Bordeaux, Nantes, La Rochelle or Paris.
They built these houses hoping their children studying abroad would return to take the family business in hand. Since those children refuse to return to a country cast into darkness, the parents have moved closer to them and settled in some metropolis with a museum, a restaurant, a bookstore or a theater on every corner. The money harvested from the mud of Port-au-Prince is spent at Bocuse or La Scala. In the end the villas are rented out for a fortune to the directors of non-profit international aid organizations whose stated goal is to lift the country out of poverty and overpopulation.
These envoys from humanitarian organizations show up in Port-au-Prince with the best intentions. Lay missionaries who look you straight in the eye as they recite their program of Christian charity. In the media they are prolix about the changes they intend to create to ease the terrible conditions of the poor. They make a quick tour of the slums and the ministries to take the pulse of the situation. They learn the rules of the game so quickly (allow themselves to be served by a host of servants and slip part of the budget allocated to the project into their pockets) you have to wonder whether itâs in their bloodâan atavism of colonial times. When confronted with their original project, they escape by saying that Haiti is incapable of change. Yet in the international press, they go on denouncing corruption in the country. The journalists passing through know they have to stop in for a drink poolside to gather the solid information they need from honest and objective people; the Haitians, everyone knows, canât be trusted. The journalists never ask themselves why these people are living in villas when they say theyâve come to help the wretched of the earth throw off the shackles of poverty.
Haiti has undergone thirty-two coups
in its history
because people have tried to change
things at least thirty-two times.
The world is more interested by the military men
who engineer the coups
than by the citizens who overthrow
those men in uniform.
Silent, invisible resistance.
There is a balance in this country
based on the fact
that unknown people
in the shadows
are doing everything they can
to put off the arrival of night.
When thereâs a power failure,
people light their houses
with the energy of sexually charged bodies.
The only fuel this country has
in industrial quantities
can also send
the demographic curve soaring.
When you arrive in this city set on the shores of a turquoise sea and surrounded by blue mountains, you wonder how long it
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