Thatâs what my grandmother used when I had nightmares. But I treasure those dreams. Theyâre the only thing thatâs left of my life from before. My mother and my sister come out to be with us on the gallery. A choir singing religious music on the radio. My mother accompanies them. Evening falls.
The Blind Archer Noise was the path the Caribbean used to enter me. I had forgotten the racket. The bellowing crowd. The overabundance of energy. A city of beggars and rich men awake before dawn. You can find the same energy in a naïve painting where the vanishing point is not at the back of the canvas but in the solar plexus of the viewer. When you look at a market scene by any street painter you donât feel youâre entering the marketplace but that instead the market is entering you, overwhelming you with smells and tastes. Which is why you step back faced with these strong primary colors. People die faster here than elsewhere, but life is more intense. Each person carries the same amount of energy to burn except the flame is brighter when the time it has to burn is briefer. Behind me, the blue mountains that surround the city. This dawn sky with its rosy hue. A man is still sleeping under a truck packed with melons. In the international media Haiti always appears deforested. Yet I see