shirt and orange cap, taking in rolled-up twenties and membership cards from the patrons of the Movie Monocle. This is where youâll find me. Whenever I look up from my hands, I can see movie posters lined up against the yellow walls, about three meters above the gray carpet tiles, each one touching the edges of the next. Directly in front of me, two ceiling fans whop the air, equidistant from my counter and the back wall.
I dry my hands on my jeans before I settle myself behind the counter. Then I take another look at Ruanâs email. I press reply and ask Cissie and Ruan if this client isnât a cop.
They donât answer me for a while. Then Cissie sends back a reply: I hold reservations about thinking itâs a cop thingâ¦
I wait for her to finish.
She writes, I mean, guys, we shouldnât panic right away, should we? This could just be someoneâs idea of a bad joke, right?
I sigh.
On Sundays, Cissie takes a train out to visit her aunt in a nursing home in Muizenberg. She uses this time to ease herself into a gentle comedown. In order to organize her bodyâs depletion of dopamine, and to quell her unease about mortality, Cissie surrounds herself with aging bodies.
In an octagonal courtyard, she and her aunt pick out grass stalks which they knit into small bows and wreaths. This is where I imagine her now: lying on her back and typing with the sun in her face.
I decide to let it go. Then I get a message from Ruan.
I had the same thought about the police, he says.
This doesnât surprise me, either. Like me, Ruan rarely shares a moment of Cissieâs tranquility. He gets comedowns no worse and no better than anyone else. Sundays for him just mean another computer in another room. He tells me he knows where Iâm coming from.
Iâm about to scroll down when I hear the storeroom door open. I slip my phone in my pocket and place my hands on the counter. I try to keep my back straight.
My manager appears from the door in the far wall, holding up a plastic clipboard.
Thatâs it, keep smiling, he tells me.
I nod.
Until two months ago, Clifton was just another peon who worked the counter here at the Monocle. He got promoted after Red, our last manager, gave notice and moved to Knysna. Cliftonâs been giving us orders ever since. I wait for him to turn the other way before I pull out my phone.
Placing it on the counter, I read the rest of the message from Ruan.
This guy isnât a cop, he says, but he knows who we are.
He forwards Cissie and me a new mail. We each take a moment to read it. The message was delivered by the client at noon. It includes our names, where we live and where we work, and at the bottom it says, I am not the police. Then the client tells us heâll pay us first. We can decide what we want after that.
Meaning we can just take the money, am I right? Cissie says.
Iâm about to answer her when I hear Clifton meandering into our storeâs Action section. Heâs run out of things to do again. He raises his clipboard and scratches the back of his neck, powdering his black collar with a mist of dandruff. I go back to my phone.
To Ruan and Cissie: okay, whatâs going on here?
Neither of them replies for close to a minute and I start to feel concerned. This returns me to Bhutâ Vuyo, and on impulse I open my uncleâs second message. Iâm about to reply when Clifton raps his knuckles on the counter.
Hey, he says, thereâs no sleeping on the job.
I nod.
No chatting on the phone, either.
I close the text from my uncle and put the phone away.
Good, he says.
I watch Clifton turn his head towards the unit weâve got mounted above the counter. Slowly, his face pinches inward.
Jesus,
okes,
he says. This is not on. This wonât work at all.
I turn and look up at the unit. Itâs a black-and-white horror movie Deanâs put on mute. Cornered by a hideous monster, a young woman backs up against a dungeon
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