first display. In a glass case mounted on the wall there were about eight pieces of worked silver jewelry, not too dissimilar from what Ninia wore. One was identified as a silver mount for a blast horn, another as a silver hair pin. The rest were brooches and rings. All of the silver was covered in designs of Celtic knotwork, as well as with dragon heads and lion heads and birds with long, improbable beaks.
The second display consisted of pieces of gritty, coarse pottery in an oatmeal color that Jennifer thought was not very pretty at all.
In the final display case were three largish stones, each about the size of a chair back. The first was covered with the same swirling designs that had decorated Brideiâs chest and arms. The second was crowded with animal drawings, mostly of bulls, though there was something that looked like a man on a horse as well. But the third â¦
Ninia started jabbering again.
âGran, look!â Jennifer pointed to the third stone, which had a single snake and bird. âItâs her sign. Niniaâs!â
Gran read the placard below the stone aloud. ââFound at Campbellâs farm, south Fairburn, 1957. Considered a Class III stone, period after A.D. 800. Both the eagle and the snake are thought to be wisdom signs.ââ
âIf sheâs so wise,â Jennifer groused, âwhy canât she speak English?â She was embarrassed the moment the complaint had left her mouth.
âHush!â Gran said. âNo need to sound like that silly dog. Besides, the stone gives us a possible date.â
âWhy should we need one?â
But Granâs answer was interrupted by Ninia, who could not stop gibbering at the stone. She tried to touch it and her hand hit the glass. She tried a second time, only a little too hard, and an alarm went off.
The woman in the sweater and tartan skirt came rushing in. âHere!â she said. âDonât be touching that.â
Jennifer dragged Ninia away from the glass and stood in front of her. âIâm sorry,â she said. âIt wonât happen again.â
Meanwhile Molly and Peter, with the dog at their heels, came running in at the sound of the alarm.
âJeez, Jen, what did you guys do?â Peter asked.
âNothing,â Jennifer said. âNinia was just a little overexcited. Thereâs a stone here with her ⦠clan pictures on it.â
âSnake and bird?â asked Molly.
Jennifer nodded. âSupposed to be wisdom signs. Whatâs in your room?â
âJust photographs,â Peter said. âOf old stones.â
âThose are Pictish stones,â the woman said in a voice full of disgust.
âDid ye read what the experts said about them?â asked Gran.
Peter looked surprised. âWere we supposed to?â
âThe lass canna read, nor can I,â the dog added.
âI can, too, read,â Molly said. âOnly it was in hard writing.â
âShe means cursive,â Jennifer explained.
But Gran had already gone past the children and into the second room and was bending over, reading the legend under one of the photographs.
âOchâI have been such a fool!â she cried out. Then she straightened and turned to the children. âHow could I have forgotten the history?â
The children and the dog rushed over to see what she was talking about. She was standing before a greatly enlarged and grainy photograph of a very ornate stone. âLook!â
They looked, and Ninia was the first to respond. She fell to her knees and began beating her chest with her right fist and keening.
It was an awful sound. Molly put her hands to her ears and so almost missed Jenniferâs reading the placard aloud.
ââSuenoâs Stone,ââ Jennifer read, ââwhich means âSvenâs Stone,â is the largest Pictish sculptured stone yet discovered. It lies outside of the old Burghead fortress. Twenty
Ella Drake
Garth Stein
Linda Chapman
Dominique Wilson
Nikki Katz
Edward P. Cardillo
Elizabeth Lapthorne
A.D. Christopher
Pauline Fisk
Wendy Owens