Fausse-coucheâitâs very simple,â Lidia smiles intimately. âHow many times is this?â
âSecond.â
âAnd who is he?â
âKarrik. An army instructor. An officer, a Party member, but not a Communist.â
âAnd how old are you?â
âNineteen, nearly twenty.â
âIs that so! At your age I feared marriage like the plague.â
âIt happens to Olya Kuntz just about every month. Sheâs got some midwife⦠very cheap. You look surprised, everyone nowâ¦â
âNo, you must see a doctor! No midwives! And in general abortionâs a dangerous business. Youâll see a doctor today! ach!â Lidia is silent for a long time, she rubs her hands and whispers:ââAnd again such a long day, completely useless, like the desert⦠Well, yes, and Iâm alone, alone! Thereâs the story about the frog-princessâwhy, why did young Prince Ivan burn my frog skin?⦠Ah, wellâ¦â
And through the open windows, in the park, it is June over the earth. Over the earth, over the town it was June, always beautiful, always extraordinary, in its crystal dawns, in its dewy mornings, in its light days and nights. In the maidsâ attic the ceilings are low, the walls white, and honey bees hum in the open square windows. Every womanâan undrained delight. However, Natalya⦠That morning Natalya told her mother that she was going away from home, into the hospital. The same morning mother met Yegor in the corridor.
âYegor, come here! Tell the truth.â
Yegor slowly approaches his mother, stands next to herâhis hands are lowered, his head is lowered, there is anguish and shame in his bloodshot eyes.
âYegor, were you drinking last night? Were you drunk?â
âYes,â answers Yegor quietly.
âWhere did you get the money?â
Yegor is silent.
âWhere did you get the money? Tell the truth!â
âI⦠I sold Natalyaâs, Natalyaâs coat for the drink money.â
Mother makes a short swing with her mighty fist and strikes Yegor on his flabby cheek. Yegor does not move.
âTake that! Now get out of my sight and donât dare leave your room. Donât you dare play any music. Get out of my sight! Keep quiet!â
Yegor moves away with his tail between his legs. And then through the rooms echoes Borisâs wild cry:
âBut I donât want to keep silent! Itâs time you were quiet! Iâve had enough. Thatâll do!⦠Yelena Yermilovna, Yelenka! run to Yegor, you rat, and say that I, Gleb, Natalyaâwe protest! run, rat!⦠Mother, you merchantâs wife!⦠take care!⦠Martha! Vodka!⦠Mother, you bitch, you merchantâs wifeâget it through your bronze skull, that your roberonde days are finished!⦠Finished, all finished!⦠Aa-ach!⦠Yegor, go and play, play, the Internationale!â
âSilence, Bolshevik! Iâm your mother, Iâll teach you!⦠I feed you!â
âWha-at? You feed me?! Plundered goods feed usâstolen goods!.. Martha, vodka!â¦â
In the Princessâs roomâit is dark, abundantly spread about are cupboards, chests of drawers, tall-boys, two beds with canopies. On the dark walls, in circular frames, hang faded head and shoulder portraits and photographs. The curtains are somberly lowered over the windows. In gold-rimmed spectacles, the Princess is standing by her open writing bureau, open in front of her are her account books: âProvisions,â âBreakages,â âServantsâ account,â âLinen,â âClothing,â âThe children.â
In âBreakagesâ the princess enters:
âTonya broke one glass.â
Into âThe childrenâ:
âYegor punished, Natalya gone madâgoing to live in the hospital away from her parental home. God is her judge, ten rou(bles) to Ksenya as a gift.â
Into
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