inches taller than both he and Pierre, the slender black woman had the height, flawless skin, and high cheekbones of a runway model. Her eyes were almond-shaped and the color of honey, and she kept her hair in a large afro. She wore no jewelry, but she didnât need any. Her coat was amulticolored vintage Missoni that barked good taste, money, and bravado.
She slowly backed toward the kitchen, which both men could see was in a state of chaos, its cupboards and drawers open with contents spilling out.
âI speak English,â Verlaque said. âMy name is Antoine Verlaque; Iâm the examining magistrate in Aix. This is my friend Pierre Millotâ.â
âHe was like that when I came in,â she interrupted, stuttering and pointing to the body. âThe door was ajar and I walked right in.â
âWho are you and what are you doing in René Rouquetâs apartment?â Pierre cried out.
The Beautyâas Verlaque would later call herâstepped forward and held out a trembling hand. Antoine Verlaque reciprocated and shook her hand.
âYou still havenât told us what youâre doing here,â Verlaque said.
âMy name is Rebecca Schultz,â she replied, switching to an almost-perfect French. âI teach art history at Yale University.â
Chapter Five
The Neighbors Make Tea
R ené Rouquetâs apartment, for the first time since he bought the flat in 1963, was full of people. Eric and Françoise Legendre had quickly dressed and were now passing around mismatched mugs of tea. The police arrived soon after the ambulance and began to mark off the apartment as a crime scene.
Dr. Agnès Cohen leaned over Rouquetâs body, her hands on her hips.
âI thought Bouvet would have come at this late hour,â Verlaque said to the coroner, who was slightly younger than himself, wore expensive bright-blue glasses, and wore her thick, prematurely white hair short and tidy.
Cohen smiled. âHe has seniority,â she replied. âI get the late-night calls.â She glanced over at Rebecca Schultz, who was sitting in a corner, sipping tea, and staring at the wall. âQuite a suspect,â the doctor whispered.
Verlaque shrugged, not wanting to respond. âHow was M. Rouquet killed?â
Dr. Cohen kneeled down. âHead injury.â
Verlaque looked at the marble fireplace, as did Dr. Cohen, who then said, âIâd say he hit the corner of the fireplace on his way down.â
âSo he was pushed,â Verlaque said. âOr drunk?â
Cohen shook her head back and forth. âYou have to be pushed with a lot of force to die from a fall like this,â she said. âBut heâs old, and by the looks of it in poor health, which doesnât help.â
âTime?â Verlaque asked.
She sat down on the floor, drew her knees up against her chest, and looked more closely. It seemed to Verlaque an odd position, more like she was at the beach than beside a dead body, but it
was
the middle of the night. âVery recent,â she said. âNo more than two or three hours ago.â
âThank you,â he said. He reached out a hand to help the doctor up.
âIâll let you know if I can be more specific once I examine the body at the morgue,â she said.
âThank you,â he said.
âYou already said that,â Dr. Cohen said, putting on her coat. âBut I appreciate it. Bouvet never says thank you.â
Verlaque walked over to Pierre, who was sitting on a wobbly wooden barstool, said good night, and told him to try to sleep. Pierre slowly slid off the stool, walked to the door, opened it, and, taking one last look at his former neighbor, walked out. Verlaque pulled a chair over to Rebecca Schultzâs side. âIf you answer all of my questions, youâll be able to go back to your hotel tonight and not sit in jail,â he said.
Dr. Schultz did not hide her surprise. âYou
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