turns to face me. âLived in Nashville before that.â
âReally? Me too. We moved this past summer.â
âYeah, I know.â He rubs the back of his neck and looks away as my phone pings in my bag.
âSorry.â I dig it out and find a text from my dad.
Hope your day went well, sweetie. Love you!
I stuff my phone in my bag without replying.
âHow do you know?â I ask Sam, whoâs rummaging through a box filled with paperback novels and shampoo bottles.
âHow do I know what?â he asks, standing up with a few books. The top one is a tattered copy of
Romeo and Juliet
.
âThat I used to live in Nashville.â
âOh. From Josh.â
I fight to keep my lip from curling. âAh. I see.â Iâm sure Josh has been a wealth of information.
He runs his hand along the tawny wood of the banister, starting up the steps. His fingers are long and slender, almost elegant. âAll my books and stuff are in my room.â
Sure they are.
I follow him, glad his back is to me so he canât see the smirk thatâs taking over my face right now. I managed to go all day without talking to him. Ms. Artigas drowned us in her lecture on the power of disguise in
As You Like It,
and I made sure I sat in the back of the room. Luckily, my locker had been scrubbed clean and Sloane had yet to strike again, so I flew under the radar most of the day. Iâm almost positive Sam is in my lunch block, so I ate in the library with an
Us Weekly
while the Sci-Fi Club sketched pictures of balloon-chested intergalactic spacecraft captains onto posters advertising for new members. This is my riveting social life. The only person I said more than three words to was Kat, who leveled me with plaintive are-you-sure-about-this looks every thirty seconds.
âI mean, youâre basically going to manipulate him into thinking you want to hook up,â she whispered while we changed for gym. âYou really want to be that kind of girl?â
âWhat kind of girl?â
Kat pressed her mouth flat and she busied herself with her shoelaces.
âBesides, Iâm not manipulating,â I said, pulling on a royal blue Woodmont High T-shirt. âIâm just . . . proving a point.â
âAre you sure that point doesnât have something to do with making the whole of the male population suffer needlessly?â
âIâm sure.â
By the time I got to Samâs, I wasnât sure about anything. Iâve never played around with guys like this, and honestly, Iâm not sure I know what Iâm doing. Usually I get with a guy because
I
want to, and then I stop things before they go too far. Even though I pick guys who arenât assholesâJosh Ellison represents a grave lapse in judgmentâIâm fully aware that Iâve developed a reputation as a tease in a few short months. But itâs not a game to me. Itâs not a power trip. Itâs comfort without too much risk. No one gets too close. No one gets hurt. At least, not until Jenny Kalinski.
Samâs room is pretty much what I expected. A mess that makes my palms itch. Boxes everywhere, clothes draped over the unmade bed and desk chair. Stacks of books and magazines. Some guitar-driven music pumps out of an iPod dock.
From his desk, he grabs his laptop and trades the paperbacks for a copy of
Much Ado
before settling on the floor against the bed.
âSo what act do you think we should do?â he asks, flipping through the play.
I sit down next to him and take out my own stuff. âIâm not sure. Itâs been a while since Iâve read it.â
He flips through his notebook, a few wrinkled papers sticking out from every direction. âDo you have the packet explaining the project? I canât find mine.â
I open my binder and find it immediately. âIt says we need a multimedia component.â
âCan I see it?â
âOh . . . um
Javier Marías
M.J. Scott
Jo Beverley
Hannah Howell
Dawn Pendleton
Erik Branz
Bernard Evslin
Shelley Munro
Richard A. Knaak
Chuck Driskell