. . .â
âThanks.â Before I can stop him, he slides the paper from between my fingers. I inhale deeply and watch him while he reads.
A grin ambles across his mouth. âAm I seeing things, or did you correct this teacher handout?â He holds up the paper, his finger on a paragraph where several red marks bleed across the page.
I snatch the paper back from him. âYouâd be surprised how many teachers make spelling and grammatical errors.â
He nods, pressing his tongue to his top lip, probably to keep from busting up laughing at my neurosis.
âOh, shut up,â I say, cracking a smile and brandishing my red pen at him. âWhat act are we doing?â
He blocks my pen with his book and finally laughs, a resonant boom from deep inside his chest. âWhy donât we skim the play really quick and see what we think?â
âOkay.â
So we do. In silence. I watch him for a minute, waiting for a sidelong glance or a subtle brush against my arm. Nothing. He just reads and keeps checking his phone, like heâs waiting for something better to pull him from my presence.
Finally, he slaps his book shut. âI think we should do act three. Itâs long, but itâs when everything starts really heating up. Beatrice thinks she might love Benedick, Claudio thinks he sees Hero in bed with whatâs-his-name. Itâs a good tension-building act.â
âI like act five.â Actually, act three sounds good to me too, but I donât feel like acquiescing so easily.
âWhy?â
âItâs the resolution. The happy ending.â
He makes a sound in the back of his throat, something between a laugh and a snort.
âEveryone wants a happy ending, Sam, even if you donât believe itâs possible.â
He glances at me and puts his book down. â
Is
it so impossible?â
âHave you ever seen one? A real, honest-to-God happy ending?â
He frowns and opens his mouth. Nothing comes out, but he keeps looking at me. With our eyes locked like this, I know this is the moment. I need to lean in, let him get within a millimeter of my mouth, whisper what an asshole I think he is for assuming words on a locker somehow mean Iâm going to sleep with him, and then leave.
I angle my body toward him and press lightly against his arm, holding his gaze. I hear him suck in a breath and I look at him from beneath my lashes. All those little tricks I used to abhor. But something stops me from going any further. For one thing, he doesnât move closer. He doesnât even blink. Just maintains this baffling intensity that chews at my stomach. Itâs not the same type of look I got from Josh or Henry Murphy or Isaac Jorgensen, like I was their favorite flavor of ice cream. Itâs a different kind altogether.
His gaze flicks down to my lips once, but he remains a fortress. Unreadable. I shift away from him and fiddle with the neckline of my shirt.
âAll right,â he says hoarsely before he clears his throat. âLetâs give your happy ending a shot.â
I nod and write
Act V
in my notebook, tracing over the letters again and again while I wait for my heart to stop hammering. I feel unsettled, like Iâm face-to-face with a mirror, only I donât quite recognize my own reflection. I look around Samâs room, but itâs all unfamiliar, making my head even lighter.
A strident beep sounds from somewhere downstairs, and I startle.
âOh, just a sec.â Sam gets up and heads for the door. âI need to get this out of the oven.â
âDid you just say
the oven?
â He doesnât answer and I follow him downstairs, entering the kitchen in time to see him pull a casserole dish out of the top of a double oven.
âWhatâs that?â I ask, taking a seat on a stool at the island.
He places the dish on a trivet on the counter. âChicken Georgia. Or maybe itâs Tennessee.â He
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