The Grotesque

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Authors: Patrick McGrath
Tags: Fiction.Horror, Fiction.Literature.Modern, Acclaimed.Horror Another 100
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energies was. In fact, it occurs to me now that perhaps right from the start Fledge was causing a sort of moral infection in those around him—without our even being aware of it! I wonder, for example, whether he was responsible for that disgusting dream. And in retrospect I rather think he was, though as I say, at the time I wasn’t aware of it; and with regard to the incident in the butler’s pantry, I held Sidney as much to blame for that, if not more so.
    ❖
    Let me describe it just as it happened. I had been working late in the barn, and when I returned to the house it was all in darkness but for a single light left burning in the porch. I came in through the front door and very quietly closed it behind me. Before I had taken a single step down the hall, I heard a noise: someone was coming down the stairs.
    Now, close to the front door of Crook there is a small table on which the mail is placed, and above it, attached to a baseboard of pale oak, rears the head of a large stag with glassy eyes and a fine spread of antlers. Directly opposite the stag stands a grandfather clock, and into the shadow of this clock I tiptoed, and waited there as the footsteps descended the last flight. Why I did this I have no clear idea, for I certainly wasn’t in the habit of hiding in my own house. Whoever it was, though, he was carrying a candle, for its feeble light preceded him, throwing a faint flickering glow into the darkness of the hallway. I peered round the side of the clock as the footstep reached the hall, and then abruptly stopped. Standing, listening intently at the bottom of the stairs, was Sidney.
    He was wearing a tightly belted silver-colored dressing gown of some silky material, and the candlelight gleamed and flashed upon it as he turned this way and that, apparently assuring himself that he was alone downstairs. His pale, oval face, lit from beneath by the candle flame, glowed in a faintly eerie manner, the smooth cheeks plump and yellow as moons. Having satisfied himself that no one was about, he then moved off, on fawn-colored slippers of a very soft leather, toward the kitchen.
    Separating the front of the house—the family rooms—from the back, where the kitchen, larders, and sculleries are situated, is a green baize door. I tiptoed down the hall and opened this door a crack, expecting to see the boy going along the passage to the kitchen. But that passage was empty; the door to the butler’s pantry, however, which gave off the passage into the east wing, was just closing; I heard the latch click softly, and then there was silence.
    In Crook, as in many country houses, the butler’s pantry is that room where the butler can perform such tasks as polishing the silverware and sorting the mail, and, more important, where he can enjoy an isolation and privacy denied his inferiors in the domestic hierarchy. Not that this had much meaning here, of course, where the inside staff comprised only Fledge himself and his wife. But Fledge not only used this room, he apparently also lived in it—this I’d ascertained with my own eyes when I’d gone into the place a few days before. One descended a flight of stone steps—the stone floor of the pantry was below ground level—to a long narrow room with store cupboards along each wall, in which various household supplies were kept, light bulbs, mousetraps, and so on. A narrow, tightly blanketed iron bed was pushed up against the end wall, and beside it stood a washstand with hairbrushes and shaving gear. Sandwiched between two high cupboards, and beneath a very small window that looked out onto the lane that ran round the side of the house, was a workbench with a shelf just above it from which hung a set of small tools. Everything was very neat and well-swept the afternoon I went in, hunting, I seem to remember, for toilet paper. Whatever did Sidney want here at the dead of night?
    My curiosity now thoroughly aroused, I retraced my steps back down the hall and out of the

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