The Grotesque

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Authors: Patrick McGrath
Tags: Fiction.Horror, Fiction.Literature.Modern, Acclaimed.Horror Another 100
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front door. There was some cloud that night, but the moon, which was close to the full, shone brightly on the slates and chimneys of Crook’s steep gables. The thick coat of ivy that furred the walls glinted with a silvery sheen as its thousand fronds stirred gently in the night breeze. I made my way silently round the side of the house, to the lane that gave onto the back yard. Halfway along, at the foot of the wall, a neat square of light spilled onto the cobblestones from a small window. This was the window over Fledge’s workbench. I crept towards it, my heart now beating dangerously fast.
    Just before I reached the window I got down onto my hands and knees. Advancing on all fours, I very cautiously peeped round the side of the window. The pantry was lit by a single lamp, standing on the workbench. In the center of the room Sidney was facing Fledge such that I could see both of them quite clearly in profile. I had never really noticed before how tall Sidney was; he was the same height as Fledge, five foot eleven or more. He was talking with some animation, smiling frequently and gesturing with his right hand, in which he held his little rosewood pipe. His hair gleamed in the lamplight, as did the silky, silver material of his dressing gown; it glimmered in streaks when he moved his arm. Fledge was in his shirtsleeves with his arms folded across his chest. His face was heavily obscured by shadow, and it was impossible for me to make out his expression as he listened to Sidney. I changed position, I hunkered down on the balls of my feet, clutching the edge of the windowframe, trying to get a clearer view of Fledge’s face. Suddenly he smiled—never before, nor since, come to think of it, have I seen Fledge smile—and opened his arms. The two men seemed then to lean toward one another, and it was at this crucial moment, my blood rushing in hot turmoil in my veins, that I lost my balance and sat back heavily on my bottom, my feet scrunching loudly on the cobblestones as I did so. Of course they would have heard me; in an instant I had flattened myself against the wall, and I clung there, not even breathing, like a lizard. Fortunately it was not a window that could be opened, and so I was not observed. But a moment later the curtain was drawn and the small square of light blotted out. I slipped back round to the front of the house, but I did not go in. Instead I returned to the barn, where I sat and drank several scotches, lit only by the stray moonbeams that drifted through the little windows high in the gables. There I sat in my wicker chair until I reckoned it safe to make for the east wing. I regained my bedroom without incident, but, deeply disturbed by what I’d seen, I did not fall asleep until the first light of dawn had crept over the marsh to the east. You see, as I’d fallen back from the window, I think I’d seen Sidney taking Fledge into his arms to kiss him—yes, my butler, damnit, in the arms of that spineless boy!
    I need not tell you my attitude toward that sort of thing. Men had been sent down from Oxford for less, in my day. Frankly I find it distasteful to have to mention it at all—I needed those scotches in the barn, they calmed me. My first reaction was to try and determine who bore the major responsibility for the incident. Fledge was the older man, of course, but Sidney was his better, in terms of social class, and in the fleeting glimpse I’d had of them it was Sidney who seemed, so to speak, the “aggressive” party. But I soon realized it hardly mattered which of them was more to blame, for in the normal course of events they’d both have been on their way before breakfast. But there was a complication, and it was this that kept me awake till morning.
    My daughter Cleo was a spirited girl of eighteen, and this relationship with Sidney was her first real sentimental attachment. I’ve always had something of a soft spot for Cleo, despite my disappointment that she wasn’t a boy.

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