you to use cosmetics like
that
. Red lips arenât in style in Osfro anymore. All the highborn ladies are wearing coral and dusky pink. And youâve applied the rouge in the wrong spotâit goes higher, up on your cheekbones.â Thatâs what Iâd heard, at least. Iâd certainly never applied my own cosmetics. âWhere youâve got it right now makes you look like you have mumps. Youâve got a steady hand on the kohl, but everyone knows you have to smudge it to get the proper look. Otherwise, your eyes look beady. And everythingâ
everything
âyouâve applied is far too dark. A light touch goes a long way. The way youâre wearing it now makes you look . . . how shall I put it . . . well, like a lady of questionable morals.â
Two spots of color appeared in the girlâs cheek, making her badly applied rouge look even worse. âLike
what
?â
âLike a prostitute. Thatâs another word for âwhore,â in case youâre not familiar with it,â I explained, using as formal a tone as my former governess would use while teaching Ruvan grammar. âThatâs someone who sells her body forââ
âI know what it means!â the girl exclaimed, turning even redder.
âBut,â I added, âif itâs any consolation, you look like a very high-class one. Like one who would work in one of the more expensive brothels. Where the girls dance and sing. Not like the ones who work down by the wharves. Those poor things donât have access to true cosmetics at all, so they have to make do with whatever they can scrape together. Be grateful you havenât hit that low.â I paused. âOh. And, by the way, youâre using the wrong fork.â
The girl stared at me openmouthed, and I braced myself for a backlash. Itâd be no more than I deserved, but sheâd certainly deserved mybelittling. I didnât know Mira well, but something about her resonated with meâa mix of sorrow shielded by pride. Clara had the air of someone who preyed on others frequently. I knew that type of girl. They apparently existed in both upper and lower classes, so I felt no remorse for what Iâd done.
Until her eyesâand those of everyone else at the tableâlifted to something beyond me. A cold feeling welled up in the pit of my stomach, and I slowly turned around, unsurprised to see Mistress Masterson and the Thorns standing in the entryway to the dining room. I wasnât sure how much theyâd heard, but their shocked expressions told me theyâd heard enough.
No one acknowledged it, however, as Cedric and Jasper joined us at the table. Really, no one acknowledged much of anything as the meal progressed. I wanted to shrink into my seat but remembered a lady must always sit straight. The tension had been thick before, but now I could feel it pressing upon my shoulders. I regretted finishing the tart because then I had nothing to occupy myself or fix my gaze upon. I poured another cup of tea, stirring it endlessly until the Thorns rose to leave and Mistress Masterson formally dismissed us to our rooms.
I was one of the first to hurry out, hoping if I escaped Mistress Mastersonâs eye, sheâd eventually forget about the scene sheâd witnessed. Surely she had better things to worry about. The other girls turned toward the spiral staircase, but just as I was about to, a flash of color caught my eye at the opposite end of the foyer. Everyone was preoccupied going their own way and paid little attention when I turned from the stairs. At the far end of the great hall was the entrance to the drawing room, and beside it hung a painting of surpassing beauty.
I recognized the artist as I drew nearer. Florencio. The National Gallery in Osfro also held one of his paintings, and Iâd studied it many times. He was a Sirminican renowned for painting landscapes in his own country, and I was
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