her painting. âYour passion went into this painting. You see that, donât you?â
âYes. But Iâve imitated your style. You see that, donât you?â She still felt a grain of anger rubbing her, irritating her emotions into a bitter pearl of gray ice.
âThereâs nothing wrong with that. A student often imitates her teacher. Look at all the old masters. Their students imitated them. Thatâs why there were schools of painting. All the Impressionists have similarities. Look at what followed Picassoâs lead.â
âAre you my teacher now?â She smiled, rather liking the idea.
âWould that please you?â
âIâI guess so. Who are you?â
âThe night. You like the night.
âNight, sable goddess from her ebony throne
In rayless majesty, now stretches forth
Her leaden septre oâer a slumâring world.ââ
âYouâre a poet, too?â She smiled, running her fingers across the rough-textured painting. Sheâd used a palette knife for some parts, piling on paint for depth.
âEdward Young. One of my favorite poets. I only paint.â
âIf you wonât tell me your name, Iâm going to call you Mr. Sable. Night artist in this dark gallery.â
âNow youâre waxing poetic. And youâre in pain. Paint from that pain.â
âRight now?â
âDo you want to return to school?â
âNo. I canât.â
She slid another canvas board from her bag, prepared earlier with a wash of white gesso. She stared at the whiteness, the absence of color, emotion, passion. She let it hypnotize her until she reached deep inside herself. Without thought she dipped her brush into the black paint.
When she came out of her deep trance, that intense concentration sheâd found the night before, she stared at the painting. A body slumped on a street curb just off center, curled into itself, blond head tucked into knees, arms circling legs, as if holding the body together. She imagined the body flying off in all directions, broken pieces strewing the street if it werenât wrapped tightly. Long fingers bit into the leg flesh, holding tightly like the straps on a trunk, long sealed up, hiding a secret. The sky was leaden, threatening, as if it could easily swallow up the figure.
Sheâd alternated color on a corner of the brick building so that it imitated piano keys. But probably she was the only one who would see that in the painting.
âThatâs your friend, isnât it?â The low voice spoke for the first time. There had been no verbal communication while she painted, but now that she was aware, she thought she had probably felt his presence while she worked.
âHeâs in pain.â
âYouâve captured it well.â
âDidâdid you help me?â
âDo you think I did?â
âI donât know.â
Had he guided her hand? Was this his work or hers? Did it matter? A sudden fit of laughter bubbled up.
âWhat am I going to tell Roddy, Mr.Sable? That a ghost helped me paint these new pictures. That I was heavily influenced by two paintings that have appeared on the wall in my dark gallery?â
She laughed out loud.
âTell him they came from inside you. That side that is sensitive to others. You canât escape the world around you.â
âHow do you know?â
âI tried.â
âTell me about it.â She cleaned her brushes, easing the creamy acrylic paint from the soft bristles.
âIt doesnât matter now.â
âWhat if it matters to me?â
âThen youâll know sometime.â He left. She felt him go.
âMr. Sable!â She stood and whirled around. âWhy did you leave? Iâm sorry I pried. I wonât ask questions. I donât really care who are you. I donât care about anything but your art. My painting.â She stared into the dim corners. Even walked over and
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