That whore you live with is getting it, no? From my sonâs mouth to her pocket.â
âPlease, Teresa, sheâs a good woman. You two would get along, believe me. Youâd like her.â
Nickyâs mother spat in his face. He closed his eyes. âAnd you married her, didnât you, Angelo? You stupid. You know you go to jail for that in this country?â
âIf youâd listen, Teresa . . .â
âIâm not listening to nothing. You listen. Iâm going to your house in the Bronx, to your wife in the Bronx. Iâm gonna take Nicky with me. Iâm gonna tell her some things. And then Iâm gonna pull out every hair on her head.â
âI donât know, Teresa. You were so sweet, such a sweet girl. What happened to you? Remember how you used to sing for me, and I would . . .â
âShut up,â she said, âbefore I kill you. If I had a father . . . brothers . . . anybody . . .â
âOkay, okay. What do you want? What am I supposed to do? You want to kill me? Go ahead. Iâm half-dead as it is. Tell me. Anything. Iâll make it up to you. But Teresa, the truth. Did you and Nicky want for anything? Who on Spring Streetâs got better than you?â
âNicky canât walk,â she told him.
âWhat? What happened?â
âHe had an accident.â
âOh God. How? What?â
âI need money . . . for an operation to make him walk.â
âLook at me, Teresa. I got no money. I canât work no more. Iâm shot.â
âNicky needs the operation.â
âI got no money,â he told her. âIâd give it to you in a minute. You know that. For Nicky Iâd do anything. Heâs all I got.â
âThe disability . . .â
âHow much you think that is? What do you think I get? Itâs nothing.â
âYour wife,â she said, âthe other one. Get the money from her.â
âMy wife?â
âYeah, Angelo. Cynthia, Celestina, whatever you call her, the undertakerâs daughter. She must have money. Whoever heard of a poor undertaker? Ask
her
for the money for your son.â
âWhereâd you get all this from?â
âNever mind.â
He held his head in his hands. âGo ahead, Teresa,â he said. âChoke me. Ruin me. Thatâs why you came, right? Iâm not sick enough. Iâm not half-dead already. You wanna finish the job.â
âI want the money for Nickyâs operation,â she said.
âAt least you have to give me some time. Let me get out of here . . .â
â. . . and then you come down to the neighborhood. You spend a few days on Spring Street. You come all dressed up with presents for me and Nicky. You walk all around and you take us to Bleecker Street for ice cream and pastries. You show everybody Nickyâs got a father, Teresa Sabatiniâs got a husband, and then you can go. You can say youâre shipping out and you can go for good.â
Angeloâs tears had dried. He reached for her.
âYou want me to come down to Spring Street and stay with you, Teresa? Like the old days? Like we was before? Like nothingâs changed? You still look good, Teresa. You look good to me.â
Nickyâs mother stepped up close to the bed. She leaned over her husband and he lifted his face to her. She caught up the collar of his soft cotton pajamas in both hands. âYou never talk to me like that again,â she said. âYou do like I tell you and then you leave. Everythingâs changed. Anything I do now, I do for Nicky.â
Angelo leaned back into the pillow. She pulled at him, ripped his collar, and when she let go, he fingered the torn cloth. His eyes were wet again. She turned to go. The men in the room looked down suddenly, pretending to see the cards, the letters, the magazines they held in their hands.
âTeresa,â Angelo called. His voice was hoarse.
âDonât
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