up without falling over. I released his wretched prisoner, who rushed to wrap herself around him with many cries of, âMy darling, my lover, are you all right, my heart, myâ¦whateverâ¦â And so on.
Sickening.
âHe broke my wrist!â
âYou damned nearly killed me!â I retorted. I sheathed my sword and retrieved his. Seeing that the fight was safely over, men were running in from both ends of the riva and also emerging from the calle . âDanese, old friend!â I detached the girl so I could embrace him myself. That, being a proper greeting in Venice, would hopefully discourage the busybodies starting to wander in around us.
I told his ear, âLetâs get out of here before someone calls the sbirri . We can talk it over somewhere quieter.â Releasing him, I said loudly, âI regret I frightened you, madonna. Your parents are very worried about you. I do have your fatherâs written permission to take you home.â
âI donât want to go home!â Her voice was larger than she was. âMy father has no authority over me now. This man is my husband!â
âYes,â I sighed. âI know. Do you want to argue that to a magistrate? Now letâs go before the sbirri get here.â Taking him along was not part of the plan and would complicate matters considerably, but I knew him and had hurt him. Call me a softie, but I could not just abandon him.
Venetians are good Venetians first and good Catholics next, but most priests will marry a couple who threaten to embrace adulteryâor embrace adulterouslyâno matter what the law says about parental permission. My tarot had told me what was brewing.
Giorgio had already brought the Maestroâs gondola across and I urged everybody aboard. Danese was in too much pain to argue and the girl clung to him like tree bark. Their would-be gondolier had emerged from his bath. Had I thought that he was just a gondolier, I might have tipped him a lira for his trouble, but he had tried to brain me and I need all the brains the good Lord gave me. The fight had gone out of him; he did not try to block our departure.
A grinning bystander handed me the portmanteau Danese had dropped. I thanked him politely.
The girl went in the felze , of course, but when her evil kidnapper tried to follow her I told him to sit on the thwart and trail his hand in the water to keep it from swelling.
âYou think youâre a doctor?â he snarled.
âNot quite, but thatâs the best way to ease the pain and stop it swelling.â I clambered in beside Grazia, being careful to leave visible space between us. A grinning Bruno settled in behind the felze , raising our prow significantly, and of course Giorgio stood at the stern, wielding his oar.
I told him, âCaâ Barbolano please.â The original plan had been straight to the Caâ Sanudo. He turned our stern to the Rialto and headed home.
Grazia was small, as I said, and seemed little older than she had in the family portrait. Her noseâ¦Either Maestro Michelli had flattered his subject, or her nose had grown more than the rest of her since he painted her likeness. Truly she had her uncle Nicolòâs nose and on a woman it was a disfigurement. Her body might just qualify for âsylphlikeâ instead of âskinnyâ but her complexion was unremarkable and there was an unwelcome trace of hardness about her mouth. Her dress looked childish and somewhat crumpled. But oh, her eyes! They almost atoned for everything else. Without her excess of nose they would have made her a beauty.
Danese I have already described. Normally he always seemed a little too conscious of his good looks, but just then he was more like a lemon, pale and bitter.
âDamn you, Alfeo Zeno!â he whimpered. âWhy are you meddling in my life? And how did you find us?â
The first answer was, âOne thousand ducats,â and better not
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