The Accident Man
several minutes to work his way back through the darkness toward the man-made cave where the giant ball had been. At last there was a glimmer of light. He dashed toward it with intense relief, running toward the stairs, past the open red door, and almost up to the stairwell before he forced himself to stop.
    He edged into the stairwell, then looked up, sighting his gun vertically, ready to fire at the slightest movement above him. There was a grille of some kind across the top. He couldn’t see any padlock or chain holding it in place. He walked steadily up the circular steel staircase, pausing every few steps to watch and listen for any sign of suspicious activity.
    The steps ended at a small platform a couple of feet from the surface. Carver crawled onto it on his belly, keeping himself below the lip of the manhole. He slithered as close as he could get to the side of the hole, then placed his hands on the ground level with his shoulders, the left hand flat, the right bunched around the grip of his gun. Next, he shifted his weight onto his arms, leaning his torso forward and bringing his feet up so that his knees were pressed against his chest.
    He sprang forward, throwing himself out of the manhole, keeping his trajectory as low as possible, so that he landed flat on the tarmac sidewalk. As soon as he hit the ground, he rolled to his left, bringing his hands together in front of him, clasping the gun. He kept his head up, his eyes focused forward, along the line of his arms and his weapon.
    He saw nothing. Just a couple of cars crossing the Alma Bridge. There was no sound of gunfire, no smack of a silenced bullet hitting the tarmac beside him.
    Carver had rolled through 270 degrees onto his right shoulder when his legs slammed into something hard. He grimaced at the impact of bare metal on his anklebone. He looked around and saw that he’d come to rest against the dead man’s Ducati. The man’s helmet was still hanging from one of the handlebars. The sharp, almost nauseating bolt of pain from Carver’s ankle had been inflicted by the foot rest.
    He pulled himself into a sitting position, leaned back against the bike, and again checked his surroundings. Still no sign of an enemy. He looked down at his ankle and flexed his foot. It rotated without any trouble, so the bones and ligaments were undamaged and his movement would be unimpaired. He’d certainly have a nasty bruise in the morning, but if he lived long enough to see it, there’d be no reason to complain.
    As he sat on the pavement, two young Parisians walked by, a boy and a girl, arm in arm. Carver tried to look relaxed and nonchalant, as though it were perfectly normal to be leaning against a motorcycle, covered in concrete dust and scorch marks. He needn’t have bothered. The young lovers were far too busy gazing soulfully into each other’s eyes to care about anyone else.
    He got up and used the kids as cover, following them as they crossed the road at the end of the bridge, walking toward the riverside embankment and the kiosk by the entrance to the sewers. The Honda was still where he had left it. He walked toward it, holding his gun straight down by his side, still sheltered by the two lovebirds in front of him.
    There was no sign of the other man. Carver looked at the trees on the river side of the walk — nothing. He scanned the bushes: nothing. To the right of the kiosk ran the Quai d’Orsay, the main road along the Left Bank of the Seine. It led down to the National Assembly and the Musée d’Orsay art museum. Carver walked a few paces down the road.
    A bus shelter stood no more than twenty meters away. It was shaped like a rectangular, three-sided box, open to the quai on the fourth side. A woman, a blond, was leaning up against the outside of the shelter, looking down the road in Carver’s direction. She was wearing a skimpy sleeveless black tanktop, no bra, and a tiny denim miniskirt. The black nylon strap of the bag on her back crossed her

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