benefits of predictability, and a sort of harmony? He did not, of course; only a wistful nostalgia could resurrect his old life, his life before Hilda; he had felt too often her breasts beneath his hands, the softness of her belly pressed against his own, best of all the sheer giddy euphoria of her fingers fumbling at his fly buttons—and as the memory of these sensations flooded him he stiffened, even as he strode forward, in his trousers, and all doubt, all wavering, vanished. The thing was beyond his control.
There was one night in the Rochester that I remember very well. It was a bloody awful night, made more bloody than it need have been because my father was still stewing in the bad feeling he’d carried away from Kitchener Street with him. He seemed more ill at ease than usual as he sat there among Hilda’s people, amid the gilt and mirrors of the big busy pub, and I wonder if he didn’t see one of the regulars from the Dog come in—this would have caused him anxiety, I know, the thought that Ernie Ratcliff would hear about this, Ratcliff a man who loved gossip and slander above all else. So there he sat, for more than an hour, frowning and morose, and not even Hilda could warm him up. When they left the pub she was cool and haughty, she wouldn’t let him take her arm as they walked off together into the night. Going down an alley near Spleen Street (I was close behind them at this point, creeping silently through the darkness and black as a shadow) my father tried to push her up against the wall. She was having none of it! Oh, she turned on him then, and he shrank back from her—what a spitfire she was when her dander was up! Her eyes blazed. “Don’t put yourself out, do you, plumber?” she cried. “You don’t make much of a bloody effort, eh? I don’t know why I bother with you, sitting there all night like an undertaker—what is your problem then? Eh?” She was warming to it now, the chin was out, the coat was pushed back, hands on the hips of a straining skirt. My father had turned away and was facing up the alley, toward where I was crouched behind a dustbin. “Give it a rest, Hilda,” he said wearily, pulling out his tobacco.
“Give it a rest? That’s a laugh, coming from you. Give me a rest, plumber. Sit there all night like a bloody corpse and then want to feel me up down an alley. What’s your problem? Ain’t you been paid for the pipes yet?”
I saw him stiffen then, for this one cut him to the quick. At the other end of the alley the streetlamp cast splinters of light into the cracks between the cobblestones and along the edges of the bricks. Paid for the pipes? Paid for the pipes? Was that what it was all about? He’d had no cash from her for his work, he knew he’d never be paid—is that how she saw it, though, payment for services rendered? All color drained from him, he slipped his tobacco pouch back in his pocket. Hilda glanced at him, assumed an airy nonchalance, tossed her big chin. “That it, plumber? That the truth of it?” He stood there, white with rage, still with his back to her, and struggled to bring himself under control. He wanted nothing so much as to hit her very hard, this I could see, I knew that look—he wanted to hurt her really badly, hurt her as she’d just hurt him. “Come’ere, plumber,” he heard her say.
He didn’t move.
“Come on, plumber.” A silky tone now. Sweet Hilda now. He turned. Coat still pushed back, hands still on her hips, she was leaning against the wall with one knee crooked so her skirt rode up, and she was grinning at him. “Come’ere,” she murmured. Over he went, meek dog he was. One hand still on her hip, with the other she clasped the back of his skull, drew him to her, kissed him softly on the mouth. His hands were on her thighs, working the skirt up; suddenly he was inflamed, overwhelmed with desire for the woman, he wanted to have her now, this moment, up against this wall, he was stiff in his trousers and already
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