half-jogging the four blocks to campus. Dr. Gillespie was just starting roll as he slid into his seat.
âSo,â Dr. Gillespie said, snapping his roll book shut, âwe spoke last time of Gatsbyâs illusionsâof the way he disregards the fleetness of time, insisting that you can repeat the past.â Dr. Gillespie strode slowly from the lectern, his arms crossed, his head cocked in a professorial attitude. âWe saw how Gatsbyâs entire lifeâall the opulence and excessâis caught up in his revisioning of Daisy Buchanan, the entire unwieldy scaffold of his aspirations symbolized in the ephemeral shimmer of a distant, green light.â He surveyed the class, his eyes like flint.
âWhatâs your opinion, Mr. Kilpatrick?â Across the room from Nick, a pock-marked boy started from a doze and stammered a series of half-formed thoughts. Nick looked down at his book, bought well-thumbed at a used bookstore in Knoxville. The Great Gatsby , by F. Scott Fitzgerald. He had read almost half of it in a single sitting Saturday afternoon, enjoying it immensely. Carrawayâs eloquent voice, his controlled measure of life won Nick over immediately. Nick had put the novel aside only when Finney and Tucker barged into his apartment and dragged him away with the promise of flesh and beer. He wished he had stayed and finished the book.
He closed his eyes and Casey filled his mind, her face contorted, her body stretched into impossible positions, pain not nearly a big enough word for what he saw in her eyes.
The tape ended in abrupt darkness, as if the voice behind the camera had yanked a plug. The four of them had sat silently for several minutes. Then Tucker muttered a quiet, âGoddamn.â Wordlessly, Sue stood and stalked away; with a final lingering glance at the television, Nick followed. Finney caught them at the door, his face pale and worried.
âWait a minute, Nick. We have to talk about this.â
âNot tonight,â Sue said, and for a moment, Nick only stood there, caught between them.
He started to speak, his mouth dry. âCan Iââ The question died on his lips as he thought how it would sound, what they might think of him.
âWhat?â Finney said.
The tape. Can I have the tape?
âNothing,â he said.
Sue tugged at his sleeve. âCome on.â
They had barely reached Sueâs car when the townhouse door swung open once again. âWe need to talk about this.â
âTomorrow,â Nick called over his shoulder.
âDonnerâs, then. Lunch.â
Later, in bed, Sue said, âWho do you think she was?â
âNo idea.â He paused. It was 12:16. âJust a girl, wrong place, wrong time. Someone passing through. Someone they took from some other nowhere.â His voice sounded muffled, as if the dark swallowed the words as they left his mouth.
âBastards.â Her voice was hard, unrelenting.
âYeah,â he said, wrapping his arms around her, pressing his lips to her forehead.
âMr. Kilpatrick, thatâs quite enough,â Dr. Gillespie said, drawing Nick back into the classroom. âI suggest you spend a little more time with Mr. Fitzgerald tonight.â He returned to the lectern and resumed his discourse. Nick forced himself to listen.
âGatsby has reinvented himself. Shedding the skin of his old self, James Gatz, a poor boy from nowhere, molting into a dazzling new self. In the same way, he attempts to recreate Daisy, forcing her, ironically, to be forever the womanâthe girl âheâd known five years previously.â Gillespie paused and stared at the class, his eyes like shards of broken glass.
âWhere do we first see Gatsby?â
âAt the dock, watching Daisyâs mansion across the bay,â Nick said. Heâd read a little less than half the novel, but he knew the game. Answer what you do know, quickly, then dodge back into the underbrush. He
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