mountains, Lady Niu was a striking figure in her aqua kimono printed with colorful landscapes. Her body was broad and straight, like a manâs; thewhite throat that rose from the kimonoâs deep neckline formed a strong, thick column. From the neck up, she had an arresting classical beauty. Her face was an elongated oval with smooth, youthful skin, a slender nose, long, narrow eyes, and a delicate small mouth vivid with scarlet paint. Her black hair, swept back from her forehead into an elaborate chignon fastened with lacquer combs, showed no gray. But her erect posture and confident air suggested maturity. A silk quilt patterned in diamonds of aqua and black covered her lap and spread over the square frame of a charcoal brazier. Against it, her hands lay folded, their smallness and daintiness belying the aura of power she exuded. Lady Niu was a fascinating study in contrasts: a woman whose appearance combined beauty with strength, who radiated femininity but did not let convention shut her away from the world. Sano wanted to know more about her.
Bowing again, he recited the words appropriate to the occasion. âI offer you this humble token of my respect.â With both hands, he extended the box of cakes. Funeral custom prohibited him from directly mentioning death during a condolence call. He would have to introduce the subject after the formalities were done.
âYour tribute is much appreciated.â Lady Niuâs voice was husky but melodious. If she felt any grief over Yukikoâs death, she hid it behind her properly calm demeanor. She inclined her head. Then she turned toward the wall on her left. âEii-
chan
?â
Now Sano took notice of the others in the room. The figure coming toward him was not a child, as the diminutive
chan
implied, but a large, hulking man with a lumpy, pock-marked face. His vacant expression at first made Sano think that this was a feebleminded servant kept on for some reason involving obligation or sentiment. However, the rich black silk robes and two elaborate swords identified Eii-
chan
as a high-ranking retainer in the dai-myoâs service. And Sano saw an unmistakable flash of intelligenceâwary, measuringâin the tiny eyes that met his for aninstant. Without speaking, Eii-
chan
held out a tray to receive Sanoâs gift and to offer the traditional return token, a decorated box of matches. Then he carried the tray to a table by the door, set the gift there among others, and resumed his place near Lady Niu.
âLord Niuâs daughters,â Lady Niu said, nodding toward a standing screen on one side of the room, halfway between her and Sano.
Through its close-woven lattice, Sano discerned two shadowy figures. Otherwise he could see nothing of the women but a fold of red silk kimono lying on the floor beside the screen. As he watched, a hand snatched it out of sight. He noted that Lady Niu had said âLord Niuâsâ and not âmyâ daughters. They must be the children of a concubine, placed in Lady Niuâs charge.
âI understand that you have come on official business regarding Yukiko,â Lady Niu said.
âYes.â Sano was glad that sheâd brought it up first. âRegretfully I must trouble you with a few questions.â
Lady Niu lowered her eyes, signifying resigned acceptance. Her expression was serene, like that of a royal beauty in an ancient painting.
Sano had planned his questions carefully. He must avoid giving any sign that he was investigating a murder, and avoid offending the Nius. And he was conscious of the listening daughters behind the screen, no doubt eager for forbidden knowledge. So instead of asking Lady Niu if she believed the deaths were suicide, he said, âWere you surprised by the manner of Miss Yukikoâs demise?â
âYes, of course,â Lady Niu replied. She paused. âBut in retrospect, I am forced to admit that it was sadly in keeping with Yukikoâs
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