Shinju

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character.”
    A small gasp issued from behind the screen, so faint that Sano barely heard it.
    Evidently Lady Niu didn’t. “Many young girls are influencedtoo much by the theater,
Yoriki
Sano,” she said. “As you must have seen from the note that Magistrate Ogyu showed you. You are new to the police service, are you not?”
    â€œYes. I am.” Her remark caught Sano off guard. He’d taken for granted that those who cared about such matters knew who he was and that he’d been assigned to handle the
shinjū
, but he hadn’t realized that they included Lady Niu. Most women took no interest in government affairs. Once again he wondered what made Lady Niu different.
    Just then a door at the side of the room slid open. A kneeling maid entered, carrying a tray laden with tea utensils and a plate of rice cakes. She rose and crossed the room. When she placed the tray before Sano and poured out the green tea, her hands shook, spilling it all over the tray. Sano saw her tense, pale face and red, swollen eyes.
    â€œO-hisa! Take that tray away and bring another at once!” Lady Niu’s voice was sharp with impatience.
    The maid burst into tears. Her sobs rent the quietness. She picked up the tray, but her fumbling hands tilted the cakes onto the floor. Sano reached over to help her, wondering at her extreme reaction to Lady Niu’s scolding. Had something else—perhaps grief for Yukiko—caused it?
    â€œEii-
chan
, see to her,” Lady Niu ordered.
    For a large man, Eii-
chan
moved quickly, the instant before Lady Niu spoke, as if anticipating her order. In a flash, he was across the room. He put the cakes back on the tray, picked it up, and seized the weeping maid’s arm with one fluid movement. He deposited both tray and maid outside the door, and returned to his position almost before Sano could blink, with a face as impassive as a carved No mask. Despite his doltish appearance, he was an efficient servant and probably more perceptive and capable of independent thought than his masters might suspect.
    â€œI regret the inconvenience caused you by my clumsy maid,”Lady Niu said. Then she tilted her head and frowned as if she heard something that displeased her.
    Sano heard the muffled sobs, too. They came from the daughters behind the lattice screen. Were they also weeping for Yukiko? Sano thought he sensed a strange emotional undercurrent in the house. Comprised of what? Fear? Despair? Or did his knowledge that Yukiko had been murdered color his judgment?
    â€œMidori. Keiko. Leave us.” At Lady Niu’s soft command the sobbing stopped. Then scuffles, footsteps; a door hidden by the screen opened and closed. The daughters had gone, without Sano’s seeing them.
    â€œIt is best that we not discuss this matter any further in the presence of innocent young girls,” Lady Niu said. “Now what else do you want to know?”
    Just then the door O-hisa had come through slid open again. Sano, glad for the chance to collect his thoughts, turned to look at the young man who stood there.
    â€œForgive me for the interruption, Mother,” the man said, “but the priest is here to see you about the arrangements for Yukiko’s funeral.”
    For the first time, Lady Niu seemed uneasy. Her hands went up as if to push the man from the room. Then she folded them in her lap again and said woodenly, “
Yoriki
Sano, may I present my son, Niu Masahito, Lord Niu’s youngest.”
    Sano bowed, acknowledging the introduction. He was struck by Lady and young Lord Niu’s resemblance. They shared the same facial beauty and strong physique. Lord Niu’s upper body showed signs of rigorous physical training: broad shoulders, clearly defined muscles in his neck and in the parts of his arms and chest not covered by his somber gray and black kimono. But Lord Niu’s feverishly bright eyes gave his face an intensity that his mother’s lacked.

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