Phantoms of Breslau

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Authors: Marek Krajewski
liked most of all to return to their former occupation, namely that of immersing their moustaches into enormous tankards of beer. The dance hostesses displayed a typical Monday-morning willingness to work as they turned with studied elegance in the arms of three merry dancers, while their eyes – which Mock could see quite clearly through the magnifying lens of the gin bottle – betrayed reluctance and indifference.
    This observation made Mock think of women of ill repute, who – like dance hostesses tired out after a working Sunday – also concealed smooth apathy in their eyes. Eyes that would usually come to life three times in a session: once when the girl approached her client, once when she feigned pleasure and once when she took his money. In the first two situations, she was generally a poor actress; in the last, an efficient calculator. He remembered his reasoning: the dead men were clients, not employees of a brothel. The thought had been prompted when he had imagined one of the ladies sitting next to him in Michael’s restaurant asking for a sailor-stud, and the image had not rung true. Sensing this inauthenticity at the time, he had resolved to take the difficult and long road which he was going to describe at the briefing the following day in Mühlhaus’ office. He was going to question all the prostitutes in town, starting now. He poured his first glass of gin and conceded that he was going to stop at the one. He did not want to fall asleep. There was no way he wanted to fall asleep. Dreams were not his allies, either in this investigation or in life.
    Mock the rationalist intended to begin his questioning at this very venue. He would fire the prostitutes with questions concerning clientswho had a penchant for leather underwear. If, however, someone had asked him why he had begun his explorations at the Hungarian King on Bischofstrasse, he would not have known what to say. Had he been sober, his answer would have been: “Because the lighting is good and the venue is made up of three ascending circles – the dance floor, the tables and the alcoves – so it has the best view. I need to start in a place like this before I bury myself in the dark corners of those forbidden dives near Blücherplatz.” Had he been drunk, he would have retorted: “Because the prettiest whores are here, and I want them – all at the same time.” Mock the rationalist did not want to permit the thought that something might be controlling him; he did not want to admit, with his petty bourgeois conscience, that his trousers concealed a ruthless and capricious demon. Right then it reminded him of its existence.
    Mock removed the cold bottle from his burning cheek and acknowledged that the statement about the beauty of the girls working there was indeed true. He got up and made towards the steps leading down to the dance floor. As he walked by one of the alcoves, he heard a woman say to a waiter in a slurred voice: “Call me a cabby!” He passed, followed by the woman’s persistent: “I want a carter! Now! Immediately!” and the waiter’s reply: “Right this minute, at your service, my lady.” Mock stepped onto the dance floor and sensed the eyes of the men at the railings turn to him; the opera glasses and pince-nez belonging to the ladies in the alcoves burned into him; and the eyes of the female dancers enticed him. He asked one of them to dance, a petite, slim, red-headed girl with Jewish looks. He held her tight, and beneath the thin material of her dress he could feel the hooks of her brassiere. After a few wrong steps the girl helped him catch the rhythm. Not for long. Mock had no talent for dancing. After a while he realized that his partner’s dancing skills were not up to much either. Fortunately, the orchestra took a break and the weary musicians sank their noses into their frothy beer. The girl stoodhelplessly in the middle of the dance floor, not knowing what to do with herself. Mock kissed her on the hand and

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