Now the belt, Ernesto.â
Ajax scribbled in his notepad. âYou know where the Cine Cabrera is, where they show the films?â
âYou sending us to the movies?â
âFrom the Cine Cabrera you walk two blocks toward the lake and three toward sunset. Thereâs a white house with four palm trees in front. You hear? Itâs run by foreigners. They help orphans.â
Ernesto stood in front of his three siblings like a mother rat, ready for all comers. âWeâre not orphans!â
âNo? Then whereâs your father?â
âI donât fucking know.â
âYour mother?â
âWhere is mama, Nesty?â The little girl tugged on Ernestoâs T-shirt.
âYou know where she is, Claribel.â He shot Ajax a look. âShe went north and when sheâs got a job sheâll send for us and weâll all go live in Texas.â
âThatâs right,â Ajax said, echoing the boyâs story. âBut until thenââhe thrust the paper into Ernestoâs pocketââyou go to this house. Itâs not an orphanage. They wonât separate you. Itâs run by foreigners.â Ajax rubbed his thumb and forefinger together. âThey got resources. You ask for a Nicaraguan named Marlene. Give her this note. Tell her I sent you. Ajax Montoya. Theyâll help you out.â
Ernesto eyed Ajax like he was a dirty old man with a bag of candy.
âJust trust me on this kid, right?â
âMaybe.â
Ajax gave the doll to the little girl and shook Ernestoâs hand. His little siblings lined up to do the same. Ajax watched them file off like ducklings into the maze of ramshackle homes. Ernesto turned back. âYou didnât say what yours is.â
âMy what?â
âYour noom de whatever.â
âNom de guerre.â
âYeah.â
âIn the mountains, fighting Somoza, they called me Ernesto. Everyone wanted to be called Ernesto.â
The boy looked like he might actually smile.
Ajax watched the little shipwrecked family drift down the crowded alley, which suddenly felt like a vast and empty shore. He let out a long breath. ââWe do not simply manufacture orphans, or raise crows as children.ââ
âWhat does that mean?â Gladys said.
âCuadra.â
âWho?â
âThe poet Pablo Antonio Cuadra. âThird Class Country.â âWe do not fold paper boats to sail puddles, or, inadvertently, raise crows as children.ââ
Gladys looked at him like she was waiting for the punch line.
Ajax smiled. It had been an excellent morning. âIt means, Gladys, that you must broaden your horizons and embrace the mystery.â
âOf what? The stiff? In this barrio? They killed him for his wallet.â
âWrong, Lieutenant Of False Suppositions. Our stiff had knife wounds but no blunt trauma. And âin this barrio,â you kill someone for his possessions, you bash his fucking head in. But maybe someone wanted to make it look like robbery. Iâm not sure yet. The good news is his keys are missing. Whatever vehicle he was driving is still out there. Weâll be looking for someone selling a stolen pickup.â
âWhy a pickup?â
Ajax leaned against his Lada, drew the Python, rolled the chamber over his palm and closed his eyes. âThe kid said he took a cowboy hat. Farm workers wear baseball caps, landowners wear cowboy hats. Farm workers with money dress up in straw cowboy hats. You know the kind I mean?â
âYeah, sure, Iâve seen them.â
Ajax closed his eyes again. âKid said the stiffâs hat was gray, so it was maybe felt, not straw. The ring and the jeans show heâs got money. A landowner with money drives a pickup. But heâs wearing boots. Landowner with money and a felt cowboy hat doesnât wear cowboy boots on the farm. The boots mean he was driving his pickup to Managua on business, so maybe
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