way, Frank,â she said hastily. âYou know that. That side of things isnât important.â She essayed a slight smile. âBesides there are plenty more pictures where that one came from.â
âYou can say that again,â said Frank Mundill ruefully.
âSorry, Frank,â she said. âItâs just that Iâm still a bit upset â¦â Her voice trailed away in confusion. Collerton House and all its picturesâin fact the entire Camming inheritanceâhad come from Richard Camming equally to his two daughtersâhis only childrenâCelia Mundill and Elizabethâs mother, Marion Busby. Celia and Frank Mundill had had no children and Marion and William Busby only one, Elizabeth.
When she had died earlier in the year Celia Mundill had left her husband, Frank, a life interest in her share of her own fatherâs estate. At his death it was to pass to her niece, Elizabeth â¦
âThereâs no reason why Peter shouldnât have had a painting if he wanted one,â she said, embarrassed. âIt isnât even as if theyâre worth anything.â
Mr Hubert Cresswick of Cresswick Antiques (Calleford) Ltd had confirmed that when he had done the valuation after her auntâs death. Very tactfully, of course. It was when he praised the frames that sheâd known for certain.
âItâs just,â she went on awkwardly, âthat I never thought that his having that particular one would be the reason why it wasnât there on the wall, like it always was.â
âI should have mentioned it before,â he mumbled. âSorry.â
âNo reason why you should have done,â she said more calmly.
What she really meant was that there were a lot of reasons why he shouldnât have done. Peter Hintonâs name hadnât been mentioned in Collerton House since heâd left a note on the hall tableâand with it the signet ring sheâd given him. âKeep off the grassâ ring was what heâd said as he slipped it on his finger.
It didnât matter any longer, of course, what it was called. Elizabeth had returned the ring heâd given herâin the springtime, âthe only pretty ring timeââthe one with âI do rejoyce in thee my choyceâ inscribed inside it, to Peterâs lodgings in Luston.
That devotion hadnât lasted very long either.
Frank Mundill picked up the sketch Mrs Veronica Feckler had left on his desk and appeared to give it his full attention. He said âI suppose Iâll have to go down and look at her timbers â¦â
âYou will,â she agreed, her mind in complete turmoil.
Elizabeth Busby hadnât known whether to laugh or to cry. On impulse she had gone out into the garden, swept up a bunch of her auntâs favourite rosesâFantin-Latourâand walked down to the churchyard by the riverâs edge.
She cried a little then.
CHAPTER 6
How can I support this sight!
The pathologist to the Berebury District General Hospital Management Committee was a fast worker. Nobody could complain about that. He was also a compulsive talkerâout of the witness-box, that is. His subjects were in no position to complain about this or, indeed, anything else. His assistant, Burns, was not able eitherâbut for different, hierarchical, reasonsâto voice any complaints about the pathologistâs loquacity. Should he have been able to get a word in edgeways, that is.
In fact, Burns, worn down by listening, had retreated into a Trappist-like silence years ago. Detective-Constable Crosby, normally a talker, didnât like attending postmortems. He had somehow contrived to drift to a point in the room where, though technically present, he wasnât part of the action. It fell, therefore, to Detective-Inspector Sloan to maintain some sort of dialogue with Dr Dabbe.
âYouâll be wanting to know a lot of awkward things, Sloan,â said