all go to the funeral to support Sammy. I watch on as they lower the coffin into the ground. Life is really short, I think. I hold Taraâs hand. I didnât know Grandpa Morrie, but tears fall anyway, for Sammy and his family and the sadness they must bear. Seeing Sammy and his dad standing together I wonder if good things can come out of grief and loss, if Sammy can find a way back to his family.
On the way home from the funeral I get the text Iâve been waiting for. Iâm in the Moulin Rouge . Iâm going to Paris!
I ring Mum that night.
âThe Moulin Rouge?â she repeats. I think Iâve woken her up.
âI know itâs not the Ballet de lâOpéra de Paris , but I thought youâd be happy.â
âI am happy,â Tash says. She doesnât sound exactly happy. âIâm also a little confused. I thought you didnât want to be a dancer. I was coming to terms with that.â
âThis is different, Mum. Itâs not like ballet. Itâs fun. It doesnât take itself too seriously.â
âAll professional dance is serious, Katrina.â
I sigh impatiently. âI know that.â
âAnd youâre sure this is what you want?â
âYes.â
âWell,â she contemplates. âParis is closer to Berlin than Sydney. And flights are so cheap here. I could fly in for visits and make sure youâre â¦â
âBehaving?â
âI was going to say looking after yourself. Oh, Kat, Iâm so glad youâre dancing again.â
This time I donât roll my eyes. âMe too, Mum,â I say. Iâm actually kind of looking forward to seeing her in Paris.
CHAPTER 13
Iâve travelled all my life, from one country to another. Iâve lost track of time zones, mixed up my Bonjours with my Kalasperas . Iâve looked out of hotel windows at city lights and not known what city, what country Iâm in. My passport is stamped with places I donât recall being in.
Maybe I sound spoilt and ungrateful, but on all those trips I longed for home. For vegemite sandwiches and gum trees, barbecued sausages and Christmas in summer, for Moreton Bay fig trees and fruit bats and possums in the park.
Itâs not like I was a tourist. I was little more than luggage, dragged around by Tash and Sebastian. Once in Singapore, Tash went straight from the theatre to the airport and flew out, forgetting I waswaiting for her in the hotel. It was only discovered because the babysitter wanted to go home.
But itâs different this time. I am choosing Paris, and Paris is choosing me. In Paris I can be anyone I want, maybe Iâll even choose a stage name and leave the Karamakov name behind. No one has to know about my famous parents, or that I failed the National Academy of Dance, or that I might be flunking out of Normal School. No one has to know that I am a kisser of my best friendâs ex-boyfriend. In Paris I can start again. I can be the real me.
Even better, I can be the Paris version of the real me. Who I imagine is a bit like the real Sydney me, but much better dressed.
âItâs hard enough not having you at the Academy,â Tara says, hugging me. âI am incapable of an ocean of distance.â
âFear not, little one,â I tell her. âYou still have two weeks to adore me.â
Ben and Christian offer to accompany me to my first rehearsals (out of the goodness of their hearts, Iâm sure). I am relieved to have Ben around, the intensity of my feelings for Christian have only heightened since our illicit kiss. I spend way too much time imagining farewell scenes (Iâve beenhanging out with Tara the hopeless romantic too long), or reunion scenes in Paris, walking along the Seine, the Eiffel tower looming in the background. Argh. PAUSE. STOP. DELETE.
âYou canât stay,â I warn them.
Ben pouts. âFirst you reject me and now youâre leaving me. You owe me girls
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