in feathers, Karamakov.â
We walk into the busy backstage area. âThank you, boys, but this is as far as you go. Iâm not bringing an entourage to my first day of rehearsal.â
âWhy are you rehearsing here anyway?â Christian asks, a little sulkily.
April overhears and answers Christianâs question.
âBecause half our dancers are Australian. We rehearse them here and then ship them over.â She looks at Ben and Christian, questioningly. âAnd you are?â
Christian goes to shake Aprilâs hand but I pat it away.
âSorry, April. Academy students. Begged for a field trip.â
âWeâll be like ninjas,â Ben promises me. âQuiet and you wonât see us.â
April says nothing, and I take her silence to be consent. She rifles through a rack of costumes.She pulls out a ruffled skirt and hands it to me. â Pour vous. See you out there.â
I squeak and show the skirt to Christian and Ben. âThis is mine. See, thatâs my name.â
âI thought the skirts would be shorter,â Ben says, disappointed.
Â
April introduces me to Jade. âSheâs a Moulin veteran. Watch closely but ignore everything she says.â
I sit down beside Jade who is lying on her side, languidly stretching her legs above her head.
âHi,â I say, thinking this might be like Lexie and the plastics all over again. But Jade smiles, surprisingly friendly.
âWelcome to the family,â she says.
Weâre walked through the routines. When the music starts, I dance, trying to follow Jade, but Iâm struggling to keep up. April watches from the audience and the boys sit a few rows behind, scoffing chips. I donât have to try and forget that theyâre there â the rehearsal is the audition on steroids. We donât stop moving for a second, kicking and spinning and cartwheeling our way around the stage.
âAnd cartwheel,â April calls. â Cartwheel. â Everything she shouts seems to be for my benefit.
âKat, we need you to get there on three. On three.â
I race across the stage, at frantic speed.
Ben whistles. âThunder Kats are go!â he calls.
âI thought you were going to be ninjas,â April snaps, then turns back to me. âAnd that was on five again.â
âSorry, April. Iâll get faster.â
I push myself as hard as I can. I hold Jade around the waist. We hop around with our legs extended high in second position. Jade whispers the counts to me. We weave around each other, and I end up in the right spot, but Iâm taken by surprise as everyone goes down on the floor in the splits. I slide slowly down. âSorry,â I call again. April nods, but her face looks tight and worried. I know that look. Iâve seen that look on dance teachersâ faces all over the world. But usually I only get that look when Iâm deliberately goofing off. This time Iâm trying my hardest to keep up. A seed of doubt germinates. What if my best isnât good enough?
Â
Post-rehearsal, Jade and I straggle out behind the other dancers. Iâm wincing, hobbling like an old lady.
âTaliaâs got this banker boyfriend so her place is unbelievable. Weâre all going to share a taxi over.â
I smile. I canât believe how nice sheâs being. Itâs weird considering itâs all about chicks showing their underwear, but the Moulin Rouge has this cool feminist edge to it, a sort of supportive sisterhood air.
âKat. How do you think you went today?â
âIâm terrible at these questions ⦠It was feeling slightly better by the end?â
âTomorrow is massive and you need to have that chorey down so I suggest an early night.â
âNo, absolutely. I think my body would thank me if I went to bed early.â
âPerfect.â
April moves off and Jade says, âIgnore her, she says that after every rehearsal.â
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