talking about millions of people. Weâre talking about a few thousand. Also, itâs not
illegal
to seek asylum.â
âYeah, but you let one in, you let em all in.â
âBro, you of all people should know how war can make people desperate.â
Solomon is about to speak again when Crawford claps his hand on Aleksâ shoulders. â
This
is a man whoâs talking some sense.â He turns to Solomon. âWhat school did you go to?â
Solomon tells him.
âRugby scholarship?â asks Crawford.
Solomon flinches, but replies truthfully. âBasketball.â
âRight.â
âHow you know Iâm not a maths freak or something?â
Crawford shrugs and smiles again. âJust a hunch. Tell you what though, youâd make a good footy player. We definitely need it at the moment. The Wallabies are atrocious. No heart.â
âYeah, well, Iâm not.â
Crawford sizes them up, looking at Jimmyâs cap and Solomonâs Elefant Traks shirt. âI heard you talking about Sin One. You must have heard heâs coming back to town. He might very well be the only Aussie rapper who really competes on the world stage. Party, political, personal â he does it all. Pity timeâs moved on without him, though.âCrawford sounds passionate as he speaks â thereâs something entrancing and terrifying about him. How does he know about hip hop? About Sin One? His eyes seem to change colour, and then he becomes suddenly dismissive. âAussie rap â bit of a joke, donât you think? Can never compare to the real thing. Boys. Let me tell you another story.â Crawford begins to speak about boats and wars, deserts and islands. He says that truth is a metal you can bend with your will and with heat. He talks about an alley cat that tried to act like a tiger. The alley cat walked tall, it growled, it stalked through the city as if it was the jungle, but no matter how hard the alley cat tried, he could never shake the stink of the gutter. People always knew what he was and he was eventually castrated. âThis alley cat should have known his station,â Crawford concludes. He must have drunk a full bottle of liquor to himself but is still speaking in clipped, perfect phrases, as if he has rehearsed everything he is saying. Georgie excuses herself and leaves the bar.
Jimmy goes to the bathroom to take a shit. He scratches a tag into the toilet roll dispenser with a key but his mind is spinning. He sits with his head in his hands and spits out the saliva that is flooding his mouth. When he goes back to the bar, the place is almost empty. He goes into the smoking area and sees Solomon beating Crawford savagely and silently in the corner. The blood sparks off his face like garnets and he is grimacing or smiling. Aleks is nowhere to be seen. Jimmy joins Solomon and soon Crawfordâs face is unrecognisable. âWrong place at the wrong time buddy,â one of them says. âThey teach you âbout that at university?â Holding him by his collar, Jimmy looks up and sees the bouncer standing in the doorway. He nods at them. They turn back to their task and continue to punch, now crouched over him, thrashing him against the bloodsprent cement. Crawford has not made a sound and is soon so disfigured that he couldnât even if he wanted to.
Solomon and Jimmy look up and the bouncer is no longer in the doorway.
9
Hand tatts
There are five men in the studio,
each one bigger than the next.
A woman walks in confidently
and says,
âWhoâs Wil?â
âMe.â
âSweet. Over here.â
I scan the walls.
Thousands of tattoo designs â
pin-up girls, Southern Crosses, skulls.
The tattoo artist has dark hair.
She moves to the CD player
and puts on a David Dallas album.
The man called Wil reclines in the seat
and she points to his neck.
âRight here?â
âYeah.â
âToo
Gerald A Browne
Gabrielle Wang
Phil Callaway, Martha O. Bolton
Ophelia Bell, Amelie Hunt
Philip Norman
Morgan Rice
Joe Millard
Nia Arthurs
Graciela Limón
Matthew Goodman