friends?â
âAll the better.â
The cardinal poured hot red wax on the marriage agreement and stamped it with his seal. He led the wedding party the long route through lofty chambers to the queen motherâs chapel. Everyone at court, Mazarinâs enemies and heads of noble factions, was forced to bow until weâd passed.
In the queen motherâs chambers, attendants greeted us with silver goblets of wine. I spotted Somaize, my ink-fingered friend from the salons, and kissed his cheeks.
âThis wine is delicious,â I said.
âItâs from Burgundy,â Somaize said. âThe kingâs favorite.â
âYou simply must bring some to Palais Mazarin for a fête next week. Monsieur will be there, you know.â His eyes widened. âBring some friends.â
The queen mother appeared and we bowed low. She took the cardinalâs arm and led us into her private chapel. Olympia spoke her vows with surprising solemnity. A show. I wondered what the king thought of it and glanced at him. He winked at me. I had to press my lips together to keep from giggling like some maiden in a fairy story.
From there we proceeded to the cardinalâs apartments. Crystal chandeliers hung above a long table where gold cloth set off the gleam of gold plates. Footmen in the cardinalâs green livery stood behind our seats. Holly boughs and evergreen sprigs were tucked among the candelabra topping the table, but their fresh scent was replaced by that of onion soup. Six servants rushed in carrying roasted peacocks on giant silver platters, their feathers splayed out fancifully over the succulent meat. A collective ahh went up when they brought in dishes of créme brûlée and towers of marzipan fruits.
King Louis held up his golden goblet. âFor the newlyweds, a gift of music.â
Giovanni Battista Lulli, an Italian whoâd changed his name to Jean-Baptiste Lully to adapt in France, entered playing his violin. His best players followed, pulling a lively tune with their bows. Olympia held her goblet toward the king in thanks.
When weâd eaten our fill, and perhaps drunk too much, the violinists followed us to the bedchambers. Mammaâs old rooms. The queen mother blocked the men. âBack, beastly men,â she said with a laugh. âThe brideâs sisters will prepare her.â
Moréna slipped out as we walked in. Whatâs she doing here? There was no time to ask. Hortense and Marianne helped me cut the stitching around Olympiaâs diamond stomacher. She slipped off the bodice and stepped out of her skirts. I wrapped the precious gown in linen, placed it in a chest with the mesmerizing Mirror of Portugal, and locked it with a key my uncle had given me.
Olympia hiked her lacy chemise up around her waist, then lay upon the bed. âMarie, reach behind that cabinet.â
Confused, I did as she asked. I felt around until my hand touched a cold glass jar. I pulled it out, took one look, and threw it on the bed. âWhat is that disgusting thing?â
â That is my salvation.â
âA chickenâs bladder filled with blood, by the looks of it,â said Hortense with fascination.
âWhat are you going to do with it?â asked Marianne.
She bedded the king! âYou donât want to know,â I replied angrily.
Olympia bent her knees and spread her legs, a sight I could have done without. âPut it in,â she said to me.
Hortense gasped, then bent down to whisper in Marianneâs ear. Poor Marianne went pale.
I crossed my arms. âI will not.â
âI must give my husband proof of virginity.â
âThat isnât proof, itâs fraud. If Soissons discovers it, heâll be furious.â
She grabbed my wrist. âThen help me get it in deep.â
I opened the jar and held it out to her. âShove it in yourself.â
She did it, and I thought Hortense and Marianne would throw up right there.
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