Read Online Empire of Illusion by Chris Hedges - Free Book Online

Right. It happens in pornography. It happens in the self-help manuals and on reality television. But it almost never happens in reality.
    Celebrity is the vehicle used by a corporate society to sell us these branded commodities, most of which we do not need. Celebrities humanize commercial commodities. They present the familiar and comforting face of the corporate state. Supermodel Paulina Porizkova, on an episode of America’s Next Top Model , gushes to a group of aspiring young models, “Our job as models is to sell .” But they peddle a fake intimacy and a fantasy. The commercial “personalizing” of the world involves oversimplification, distraction, and gross distortion. “We sink further into a dream of an unconsciously intimate world in which not only may a cat look at a king but a king is really a cat underneath, and all the great power-figures Honest Joes at heart,” 13 Richard Hoggart warned in The Uses of Literacy . We do not learn more about Barack Obama by knowing what dog he has brought home for his daughters or if he still smokes. Such personalized trivia, passed off as news, divert us from reality.
    In his book Celebrity , Chris Rojek calls celebrity culture “the cult of distraction that valorizes the superficial, the gaudy, the domination of commodity culture.” He goes further:
    Capitalism originally sought to police play and pleasure, because any attempt to replace work as the central life interest threatened the economic survival of the system. The family, the state, and religion engendered a variety of patterns of moral regulation to control desire and ensure compliance with the system of production. However, as capitalism developed, consumer culture and leisure time expanded. The principles that operated to repress the individual in the workplace and the home were extended to the shopping mall and recreational activity. The entertainment industry and consumer culture produced what Herbert Marcuse called “repressive desublima tion.” Through this process individuals unwittingly subscribed to the degraded version of humanity. 14
    This cult of distraction, as Rojek points out, masks the real disintegration of culture. It conceals the meaninglessness and emptiness of our own lives. It seduces us to engage in imitative consumption. It deflects the moral questions arising from mounting social injustice, growing inequalities, costly imperial wars, economic collapse, and political corruption. The wild pursuit of status and wealth has destroyed our souls and our economy. Families live in sprawling mansions financed with mortgages they can no longer repay. Consumers recklessly rang up Coach handbags and Manolo Blahnik shoes on credit cards because they seemed to confer a sense of identity and merit. Our favorite hobby, besides television, used to be, until reality hit us like a tsunami, shopping. Shopping used to be the compensation for spending five days a week in tiny cubicles. American workers are ground down by corporations that have disempowered them, used them, and have now discarded them.
    Celebrities have fame free of responsibility. The fame of celebrities, wrote Mills, disguises those who possess true power: corporations and the oligarchic elite. Magical thinking is the currency not only of celebrity culture, but also of totalitarian culture. And as we sink into an economic and political morass, we are still controlled, manipulated and distracted by the celluloid shadows on the dark wall of Plato’s cave. The fantasy of celebrity culture is not designed simply to entertain. It is designed to keep us from fighting back.

    â€œWhat Orwell feared were those who would ban books,” Neil Postman wrote:
    What Huxley feared was that there would be no reason to ban a book, for there would be no one who wanted to read one. Orwell feared those who would deprive us of information. Huxley feared those who would give us so much that we would be reduced to