Eileen

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Authors: Ottessa Moshfegh
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mention the gun again. When I was growing up, my father would sit at the kitchen table after dinner and clean it, explain all of its mechanics and the necessity of its upkeep. “If you don’t do this and that”—I don’t recall his exact words—“the gun will misfire. It could kill someone.” He seemed to tell me this not as a way of inviting me into this intimate procedure, his life and work, but as a warning, to say that what he had to do was so important, sacred in fact, that if I should ever distract him, or if I should ever touch his gun, God forbid, I would die. I tell you this simply to put the gun into the scenery. It was there, from childhood until the end. It frightened me the way a butcher knife would frighten me, but that was all.
    Outside, the yard was filled with exhaust and windblown snow and already dwindling sunlight. I got in the Dodge and drove toward Randy’s, biting my chapped lip in anticipation ofcatching a glimpse of him through his bedroom window—he didn’t have curtains either—or, better yet, on his way out, so I could follow him secretly through the X-ville streets, led by the heavenly roar of his motorcycle engine. Then I could imagine what he did when he was not at home. If there was a woman in his life, I would know, once and for all. And I could find a way around her, I reasoned. There was a limit to the lengths I would go to win Randy’s affection—I was lazy, after all, and shy—but my obsession with him had become such a habit, I really lost all good sense. Who knows what I would have done had I found him French-kissing some Brigitte Bardot type? I don’t know that I was really capable of real violence. I probably would have punched myself in the head and rolled the windows up in the Dodge, prayed to die. Who knows?
    But Randy wasn’t home when I got there. His bike wasn’t parked out front. So, for whatever reason, I decided to make good on my lie to my father and go to the cinema. Seeing movies has never been a favorite pastime of mine, but that afternoon I craved company. I didn’t like movies for the same reason I don’t like novels: I don’t like being told how to think. It’s insulting. And the stories are all so hard to believe. Furthermore, beautiful actresses always made me feel terrible about myself. I burned with envy and resentment as they smiled and frowned. I understand that acting is a craft, of course, and I have great respect for those who can toss themselves aside and assume new identities—as I have done, one might say. But generally speaking, women on-screen have made me feel ugly and lackluster and ineffectual. Back then especially, I felt that I had nothing tocompete with—no real charm, no real beauty. All I had to offer were my skills as a doormat, a blank wall, someone desperate enough to do anything—just short of murder, let’s say—simply to get someone to like me, let alone love me. Until Rebecca showed up a few days later, all I could pray for was some kind of fluke or miracle wherein Randy would be forced to need and want me, like if I happened to save his life in a fire or a motorcycle accident, or if I wandered into the room with a handkerchief and a shoulder to cry on the moment he heard his mother had died. Such were my romantic fantasies.
    There was a small cinema in X-ville that played only the most tasteful, childish movies. If I wanted to see
Contempt
or
Goldfinger,
I’d have had to drive ten or more miles south where the X-ville Women’s League’s clout ran out. I can’t say I was relieved or disappointed that my plans to stake out Randy’s place for the few remaining hours of sunlight fell to the wayside, but I do remember a sense of impending doom descending upon me as I drove toward the cinema. If I lost Randy to another woman, I’d have to kill myself. There’d be nothing else for me to live for. As I parked the

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