Eileen

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Authors: Ottessa Moshfegh
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suspectedas much back then, I suppose, since despite my contempt—or maybe because of it—I asked to try on the party dress in the window.
    It was a gold shift dress with a high neck and lines of alternating gold and silver baubles patterned from the neck to the bust. It reminded me of photographs I’d seen of African village women with necks painfully extended by stacks of gold rings. The shopgirl looked at me wide-eyed when I pointed to it, then smiled and hopped to the window. It took her several minutes to unzip the garment, then scoot the mannequin to the side to tip it over so that the dress could be taken off. I casually sauntered to the back wall to have a look at the hosiery. Keeping one eye on the girl wrestling with the mannequin, I slipped four packages of navy blue hose into my purse with ease. I looked in the mirror on the glass jewelry display case, which was locked from the other side, removed my gloves and rubbed the chocolate off the corners of my mouth. I wiped my hands on a scarf hanging decoratively from a bamboo staff. The shopgirl carried the dress to the fitting room as though it were a sleeping child, arms extended, careful not to rustle the baubles. I followed her, folding my purse inside my parka as I took it off. I didn’t care if the shopgirl judged my pathetic outfit. She herself wore a demure but ridiculous circle skirt which, I recall, had pom-poms on it, maybe an embroidered kitten. “I’ll be out front if you need anything,” she said and shut the door.
    I took off my sweater, blouse and brassiere and took an earnest look at my bust, assessing the heft and shape of my little breasts. I shook my shoulders vigorously at the mirror, just tohorrify myself. When I menstruated, my breasts were sore to the touch and heavy, like lead, like rocks. I pinched and poked them with my fingers. I took off my pants, but didn’t look at myself below the waist. My feet were fine, my ankles, my calves. That was all passable. But there was something so foreboding and gross about the hips, the buttocks, the thighs. And there was always a sense that those parts would suck me into another world if I studied them too closely. I simply couldn’t navigate that territory. And at the time, I didn’t believe my body was really mine to navigate. I figured that was what men were for.
    The dress was heavy, like the hide of a strange animal. It was too big on top, buckling awkwardly between my arms and breasts, the baubles crashing against each other like a tribal instrument as I zipped up the back. And the whole thing was too long. In the mirror I looked tiny, frumpy, my hairy calves poking out at the bottom like the hind legs of a farm animal. The dress clearly did not fit me, and yet I wanted it. Of course I did. The tag said it cost more than I made in two weeks working at the prison. I thought to rip the tag off, as though that would make the dress free. I considered pulling one of the metallic baubles loose and slipping it in my purse along with the panty hose. But instead I used the sharp point of my car key to poke a hole in the inside lining around the hem and tore it a little. I pulled on my old clothes, which felt all the more old and stank of my sweat, the shirt under my sweater cold and wet in the armpits. I walked out back through the store.
    â€œHow’d you do?” I remember the shopgirl asked, as though I may have done well or poorly. Why was my performancealways called into question? Of course the dress looked awful on me. The shopgirl must have predicted that. But why was it
I
who had failed, and not the dress? “How did the dress do?” is what she should have asked instead.
    â€œNot my style,” I said to her and walked out quickly, fat purse under my arm, wincing in the sudden cold but smiling in triumph. When I stole things I felt I was invincible, as though I had punished the world and rewarded myself, setting things right for once—justice

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