drumming on the edge of the stand. I had to hand it to her–the audience was sitting on the edge of its seat.
‘They were banging. Old fashioned walking canes, I think. Banging them off the pavement, off the pavement, time and time again.’ She sounded breathless now.
‘They gathered round me…black leather coats…their hair was white…and they were frightening. Any exit route was blocked off. I was trapped. Trapped between the wall of Register House and the horseman.’
Kailash asked for water. There was an almost palpable sigh of relief. We all needed a breather
‘The boy…their leader…’ her voice was faltering now, ‘he began the taunts. Asking me for a price list.’
Impressively, Kailash dropped her head, but kept her eyes up, never breaking the stare with Sheriff Strathclyde. She continued in a staged whisper.
‘…for my services.’
I knew she was being polite, but I had hoped, against hope, that we could have kept her profession out of the trial. Although practically everyone in Edinburgh knew exactly what Kailash Coutts did for a living, I had hoped to raise objections if any assumptions about the reason for her movements were made. Surely even notorious prostitutes had perfectly innocent nights out from time to time? As soon as I had the thought, I realised I wasn’t even managing to kid myself. I knew I was clutching at straws–but straws were my only hope at this stage. In my dealings with Kailash, I had kept strictly to the golden rule of cross-examination: never ask a question to which you do not know the answer. I had broken it on only one occasion when I had asked her if Lord Arbuthnot was a client. She had replied that he was not, so I would argue that her sexual reputation was irrelevant if the dead man did not use her ‘services’.
‘Menacingly,’ Kailash went on, ‘he danced around me, weaving in and out, tapping me on the body with his cane. I was in no doubt that my life was in danger.’
Gasping for breath, she pulled a handkerchief outand began wiping her eyes. I breathed a quiet sigh of relief that she was conforming to such a clichéd, but useful, weeping stereotype.
‘I reached into my bag.’ Her voice wavered; she rested her hand against her breast shakily, as if reliving the moment. ‘And I pulled the empty champagne flute out. I was terrified. I smashed it against the wall to protect myself. All I could see was that evil boy, and his strange, strange eyes. But then…nothing that happened next makes any sense.’
She collapsed weeping, and everyone else seemed taken in, but I have studied body language and while Kailash Coutts was a bloody good actress, she was actually a crap liar. When we speak, our body communicates the truth. In court, my senses are heightened by adrenalin. I had watched the micro movements of her eyes when she spoke. She looked down to the left, an indication that she was, at best, hiding something. If she had been telling the truth, Kailash would have looked up to her right, to recall facts. Our bodies do seventy per cent of our communication unconsciously, but Kailash must have missed the lesson on that when she went to stage school.
After sipping on some water, Kailash began again.
‘I smashed the glass against the wall, not to use it, but to threaten them, to keep them away. I was screaming for help, but I thought that no one could hear me.’
The Dark Angels had chosen a busy spot in the East End of Princes Street to attack her. I guess some might interpret it as a sign that Moses Tierney and his crewthought they were above the law, although they would have been hidden behind the horseman and the wall in a very short, narrow alleyway.
‘His arms encircled me. I screamed, lashing out with the broken glass. I was so sure it was him, that boy with the strange eyes, and I was scared, so scared. Only when I felt its sharp edges pierce the skin did I notice whoever was holding me did not have a leather coat on–he was wearing a rough
‘They were banging. Old fashioned walking canes, I think. Banging them off the pavement, off the pavement, time and time again.’ She sounded breathless now.
‘They gathered round me…black leather coats…their hair was white…and they were frightening. Any exit route was blocked off. I was trapped. Trapped between the wall of Register House and the horseman.’
Kailash asked for water. There was an almost palpable sigh of relief. We all needed a breather
‘The boy…their leader…’ her voice was faltering now, ‘he began the taunts. Asking me for a price list.’
Impressively, Kailash dropped her head, but kept her eyes up, never breaking the stare with Sheriff Strathclyde. She continued in a staged whisper.
‘…for my services.’
I knew she was being polite, but I had hoped, against hope, that we could have kept her profession out of the trial. Although practically everyone in Edinburgh knew exactly what Kailash Coutts did for a living, I had hoped to raise objections if any assumptions about the reason for her movements were made. Surely even notorious prostitutes had perfectly innocent nights out from time to time? As soon as I had the thought, I realised I wasn’t even managing to kid myself. I knew I was clutching at straws–but straws were my only hope at this stage. In my dealings with Kailash, I had kept strictly to the golden rule of cross-examination: never ask a question to which you do not know the answer. I had broken it on only one occasion when I had asked her if Lord Arbuthnot was a client. She had replied that he was not, so I would argue that her sexual reputation was irrelevant if the dead man did not use her ‘services’.
‘Menacingly,’ Kailash went on, ‘he danced around me, weaving in and out, tapping me on the body with his cane. I was in no doubt that my life was in danger.’
Gasping for breath, she pulled a handkerchief outand began wiping her eyes. I breathed a quiet sigh of relief that she was conforming to such a clichéd, but useful, weeping stereotype.
‘I reached into my bag.’ Her voice wavered; she rested her hand against her breast shakily, as if reliving the moment. ‘And I pulled the empty champagne flute out. I was terrified. I smashed it against the wall to protect myself. All I could see was that evil boy, and his strange, strange eyes. But then…nothing that happened next makes any sense.’
She collapsed weeping, and everyone else seemed taken in, but I have studied body language and while Kailash Coutts was a bloody good actress, she was actually a crap liar. When we speak, our body communicates the truth. In court, my senses are heightened by adrenalin. I had watched the micro movements of her eyes when she spoke. She looked down to the left, an indication that she was, at best, hiding something. If she had been telling the truth, Kailash would have looked up to her right, to recall facts. Our bodies do seventy per cent of our communication unconsciously, but Kailash must have missed the lesson on that when she went to stage school.
After sipping on some water, Kailash began again.
‘I smashed the glass against the wall, not to use it, but to threaten them, to keep them away. I was screaming for help, but I thought that no one could hear me.’
The Dark Angels had chosen a busy spot in the East End of Princes Street to attack her. I guess some might interpret it as a sign that Moses Tierney and his crewthought they were above the law, although they would have been hidden behind the horseman and the wall in a very short, narrow alleyway.
‘His arms encircled me. I screamed, lashing out with the broken glass. I was so sure it was him, that boy with the strange eyes, and I was scared, so scared. Only when I felt its sharp edges pierce the skin did I notice whoever was holding me did not have a leather coat on–he was wearing a rough
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