Collected Stories

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Authors: Peter Carey
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groans, arches like a cat.
    Crabs says, bang, bang, bang-bang.
    Carmen arches. Crabs thinks she will break in half. Him too. She falls. He rolls and keeps rolling down to the left hand side of the car. He says shit, oh
shit!
    The car is on one side, listing sharply. Carmen lies on her back, smiling at the ceiling. She says, mmm.
    Crabs says, Jesus Christ, someone’s knocked off the wheels, Jesus CHRIST.
    Carmen turns on her side and says, the Karboys. So she knew about them all the time. She sounds pleased.
    Crabs says, you’ll stain the upholstery. He searches for the other boot and the bike chain.
    He runs through the cars. He doesn’t know what he is looking for, just those two wheels, one will do because he has the spare. His white jacket is weighed down by the chain. He runs through the cars. Sometimes he stops. He knocks on windows but no one will answer. Everyone’s too scared.
    He rounds the back of a late model Chevvy and comes face to face with the cop car. One of the cops is putting something in the boot. Crabs is convinced that it’s the wheels. He keeps going past the car, walks round the perimeter of the drive-in and returns to the Dodge. Carmen has taken the blankets down and is watching the film. He tells her his theory about the cops and she says, shh, watch.
    The manager fills out the two forms and gives them meal tickets. He is a slow fat man with a worn grey cardigan. He explains the meal ticket system — the government will supply them with ten dollars’ worth of tickets each week, these tickets can be spent at the Ezy-Eatinright here on the drive-in. If they run out of tickets, that’s too bad, because it’s all they’ll get. If they want blankets they have to sign for them now. Carmen asks about banana fritters. The manager looks at her feet and slowly raises his half-shut eyes until they meet hers. He says that banana fritters are only made at night, but she can purchase anything sold in the cafeteria.
    The manager then asks if there’s anyone they want to notify. Crabs begins to give him Frank’s name and then stops. The manager waits and licks the stubby pencil he is using. Crabs says, it doesn’t matter. The manager says, that’s your decision. Crabs says, no it doesn’t matter, forget it. He can see Frank when he gets the notification, when he learns that his Dodge has lost two wheels, when he learns Crabs took it to a drive-in. He’d come out and kill them both.
    Carmen says, we’ll walk home next Saturday.
    The manager sighs loudly and scratches his balls. Crabs wonders if he should hit him. He’s got the chain in his jacket. The manager is saying, “Now this time listen to what I tell you. First, you ain’t got no public transport …”
    Carmen says, I didn’t
mean
public transport. I …
    “…  you don’t have a bus or a train because buses and trains don’t come to the Star Drive-in. They’ve got no reason to, do they? Secondly, you can’t walk down that highway, young lady, because it’s an ‘S’ road. And if you know the laws of the land you ain’t permitted to walk on or near an ‘S’ road.”
    He looks across at Crabs and says, “And dogs aren’t allowed on ‘S’ roads, or bicycles or learner drivers. So we’re not allowed to let you out of that gate until this bloody government finds a bus that they can spare to get you all home. There are now seventy-three people in your situation. I don’t like it either. I don’t make a profit from you so don’t think I want you around. So we’ll all have to wait until something is done. And we all pray to God that something’s done soon.” He crosses himself absently and Carmen laughs.
    The manager stares at her blankly. Crabs would like to lay that chain across his fat face. The man says, “You want me to notify your mother?” and Carmen becomes very quiet and smoothes her skirt with great concentration. She says “no” very quietly.
    The manager is standing up. He shakes them both by the hand. He

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