yourself anywhere. You build up your body and you can walk in anywhere and know how to look after yourself. He gave him the chest expanders and an old photo he had of Charles Atlas. Frank said, that man is a genius.
Crabs hid in the Dodge and tried to keep his mind free of all these things. He tried to keep his mind free by keeping busy with Carmen but she didn’t like doing it in the daylight.
Carmen lies on the roof, sunbaking, while Crabs hides in the Dodge. He makes plans for getting out and he tells them to Carmen. But the wire is now electrified. But the drive-in is closed to visitors. But the security cars circle the perimeter all night.
Crabs walks through the drive-in each morning after breakfast, looking for the Dodge he is sure will arrive, somehow, one night. Hepicks his way through the clothes lines, around the temporary toilet facilities, skirts round the rubbish disposal holes, edges by the card games and temporary cricket pitches. It is like the beach when he was a kid. Everybody is doing something. He would like to blow them all up.
He looks at Carmen’s face and tries to see exactly what has happened to it. It is older. Her sweater is covered with small “pills” of wool. Her hair is pulled back and done in a plait but doesn’t hold in her ears which seem to stick out. She has got fatter. Her mouth is full of hamburger while she tells him. He knows. He has seen it. He watched it all. She knows he saw it. She wipes her mouth clean of hamburger grease with the arm of her sweater, and tells him about what happened last night.
He says, I know, I saw.
But she tells him, because she feels he sees nothing. She has told everyone at the Ladies’ about him and they’ve come to gaze at him, individually and in groups. He puts up the blankets to keep out their stares, but Carmen invites them in. Their husbands come and invite him to cricket or two-up. He thinks of Frank and the Dodge that will come.
He says, I saw.
He saw, last night, the convoy of trucks come in through the main gate of the drive-in. Everybody went to look. Crabs went afterwards and stood on the edge of the crowd. For some reason they cheered, they cheered the trucks and the drivers as if they were liberating troops. But the trucks only held more cars, cars without wheels, cars without engines, crippled cars, cars unable to move. Crabs watched silently, wondering what it meant.
He watched while the huge mobile crane shifted the cars from the trucks to the ground. He watched the new cars being arranged in lines, in vacant spaces. And when everyone else had lost interest he still watched. He saw the prefabricated Nissen huts come on a huge Mercedes low-loader. He watched the Nissen huts unloaded under the harsh glare of searchlights that had been mounted on top of the old projection room, on top of the Ezy-Eatin.
And he was still there at dawn, when the low-loaders, the cranes, and the other trucks had gone, he was there when the buses began to arrive.
He was there, removing two wheels from a 1956 Dodge.
Everybody goes to stare at the arrivals. Carmen is frantic, she begs him to come. He has never seen her so happy, so angry. Her eyes are sharp and clear. He would like to screw her but he is busy. He would love to hold her, to calm her, warm her, cool her. But he has two wheels from a 1956 Dodge and he is busy. In the corner of his eyes he sees exotic things: cloaks, robes, dark skin, swarthy complexions. He hears voices he doesn’t understand, he thinks of the tower of Babel and then he thinks of the Sunday School where he heard about the tower of Babel and then he thinks about peppercorn trees and then he thinks of the two wheels and he tells Carmen, soon, I’ll come soon.
The jack is in good shape. He has kept it in good shape. He jacks up the back of the car and removes the bricks. Then he puts on the new wheel. The tyre is a little flat. He guesses at about fifteen pounds per square inch, but it is good enough. Then he removes
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