whispered.
Spraggue nodded solemnly. Georginaâs gray eyes gleamed. She maintained a dignified silence until they marched down the front steps of the theater. Then she looked around carefully before murmuring: âI found the stuff you wanted.â
With effort, Spraggue kept a straight face. She was playing a part from an old Hitchcock movie. âYes?â he said.
âFour-two-five-one.â
âHow was it written?â
She bit her lower lip in concentration. âThe four was like Roman numerals, a capital i and a capital v. Then the rest all in normal numbers. No spaces anywhere.â
Just like the other message.
âDoes it mean something?â Georgina asked eagerly. âDo you know what it means?â
âSuggest anything to you?â
âI was thinking of playing it as my lottery number. Wait! How about a phone number? Is there any exchange that could be IV2? Just a minute!â She dove into the phone booth on the corner. âI is 4! V is 8! Is there a 482 exchange in Boston?â
âNo. And youâre two digits short.â Georgina deflated. âBut it was a fine idea,â Spraggue said.
âFour-two-fifty-one.â She was off again. âI-V-twenty-five-one. Itâs a clue, right? A message.â¦â
âCould be.â
âWhat goodâs a message if nobody can understand it?â
âExactly,â Spraggue said. âThatâs why I think it must be something fairly obvious. At first I thought it was the playâact, scene, and line. Actors would be sure to understand that.â
âAct, scene, and line! Thatâs good, Michael. It works. Even the Roman numerals.â
âExcept,â Spraggue said glumly, âthat it doesnât. Look at your number. Starts with four. How many acts are there in Dracula ?â
âThree.â
âRight.â
âThen itâs probably a five-act play,â Georgina said, âthe one the messages are about.â
âThat narrows it down.â He kept the sarcasm out of his voice.
âIâll think about it, Michael. Iâve got to get back.â
âThanks.â
âAnd I wonât say anything to anyone! âBye.â She turned and offered him a flashing grin. âI just hope itâs not Macbeth !â
Spraggue checked the time, turned, and crossed the street. Two blocks down, he entered a small secondhand bookshop.
âPlays?â said the elderly proprietor. âOn your left, at the back of the store. Donât get so much call for them anymore. Anything special?â
âShakespeare.â
âPlenty of him. Second shelf from the bottom. Soon as the kids finish off reading him in school, they sell the books back to me.â
Spraggue found a tattered copy of The Complete Tragedies , fumbled through it until he located Macbeth .
âFour-twenty-five-one,â he mumbled to himself. Act Four, scene twenty-fiveâNo. Not even Shakespeare had twenty-five scenes to the act. Scene two, line fifty-one.
He found it quickly, running a finger down the yellowed page.
âAnd must they all be hanged that swear and lie?â
Line 51, Macduffâs son to Lady Macduff. Her answer: âEvery one.â
Hanged. Like Eddie in his vandalized room. Like Samuel Borgmann Phelps in his beautiful bankrupt playhouse â¦
Spraggue thumbed quickly through the pages. What was that other number? The one in Gregâs sack. 1538. Act One this time. Scene five. Yes, Act One was a long one, seven scenes. Line 38:
âThe raven himself is hoarse
That croaks the fatal entrance of Duncan
Under my battlements.â
A raven ⦠a raven. A big black bird like the one in Darienâs office.â¦
Spraggue paid three dollars for the dog-eared volume and hurried back to the theater.
Chapter Nine
At first Spraggue wasnât sure heâd get along with Karen Snow.
He was five minutes late for their private, Saturday-night
Stephen G. Michaud, Roy Hazelwood
Sax Rohmer
T. S. Joyce
Marjorie Holmes
Walter Mosley
S. Ravynheart, S.A. Archer
Brenda Joyce
Kathy Lette
Robert K. Tanenbaum
Matt Kadey