Black Collar Beginnings: Cuba (Black Collar Syndicate)

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Authors: AN Latro
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lady across the room, but she leaves him with only two words. “Thank you.”
    Seth chases away thoughts of his brother with a deep drink and the thickness of anticipation. He has only been back in town for a couple of weeks. He has stayed off the radar so far, hasn't even seen the brother he has sorely missed, or Emma, or the rest of his family. The city must have time to forgive him for leaving, and he must have time to learn his city from an entirely changed perspective; as an outsider, like he never could before he left.
    He's heard things have changed. He's heard that power has been shifting behind closed doors. Even after two years, old connections aren't hard to rekindle. They tell him that traditions and morals on which his kingdom has been based are now failing, a fact that the little communication he survived upon failed to mention.
    He left to gain an ally, to expand the empire. Now, he has seemingly lost his place in his family and it's crumbling at its foundation—all rumors from trusted sources that he doesn't want to believe. It is so much easier to focus on her and this moment than face the inevitable.
    The drink is being presented. The cocktail waitress is telling her that the gentleman at the bar wanted her to have this. She's taking the wine with wary stiffness. She says, her voice dazed, “Thank you.”
    She stares at the carbonation. The wine is something that comes into one's life like news of the death of someone close, unsolicited and gut-wrenching. She passes the glass under her nose. It is fruity and acidic, inviting. She can imagine its taste, full and citric, and her blood runs cold in her veins. In her mind, she sees the night-time cityscape from a rooftop. His arms are around her. She hears him say, “Someday, we'll rule this city. We'll make it everything we want it to be.” They were drinking Riesling together.
    The band has died away. In the now, she forces her body to turn, hoping to see some blundering idiot who just happened to order her favorite wine, oblivious to the memory it summons. But no, her wide eyes find him immediately. He is casual, errantly comfortable, and brown against white, devilishly sexy. He smiles, the bastard, and raises his rocks glass. He is like a living saint among men, washed in holy neon yellow, back from the blackened hells.
    Why now, when she has finally stopped believing his family when they tell her that he's still alive? Her hands are shaking.
    Beside him, the suits are wondering in hushed tones how he got her attention. He is lost in her eyes, which have been missing from his life for too long. It's like his dreams have stepped out of his head. She looks more amazing than he could have ever remembered. “White wine is her favorite,” he tells the suits, without looking away from her. She breaks eye contact first. “Excuse me,” he adds, downing his courage as he grabs his long, dark coat.
    She is collecting her little black bag and her jacket. She moves toward the exit, leaving the wine abandoned on the table. She hasn't tasted it in over two years and tonight is not a good one for reminiscing. She avoids the eyes of strangers, doesn't take the time to put on the jacket as she rushes out of the bar. The biting cold is like a knife to the chest, but his reappearance hurts more. Her breath rises in front of her and, suddenly, she hates the metal and concrete around her. Who would want to rule this? Her mind goes blank. Her heart aches. She feels so much that she feels nothing.
    “Please wait!”
    His voice grips her, his first words to her in so long. They seize her feet. Despite all her resolve, she is bound by his voice, like black magic. She stops in her tracks, but she will not face him. “You're dead to me,” she spits through her tightening throat. Tears are fighting to surface. She swore that if she ever saw him again, she wouldn't cry. “You're dead to this place.”
    “No,” he says to her back. “The city is cold, but she's not that

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