and then at another one— snrack —like my brothers snapping bath towels, but sharper. The Scotty magnet is starting to work—people watch his bare muscles shining with sweat and beer. Then one of the garbage throwers tries to storm the stage, but Scotty kicks him in the chest with the flat of his boot—there’s a kind of gasp from the crowd as the guy flies back. Scotty’s smiling now, grinning like I almost never see him grin, wolf teeth flashing, and I realize that, out of all of us, Scotty is the truly angry one.
I turn to Jocelyn, but she’s gone. Maybe my thousand eyes are what tell me to look down. I see Lou’s fingers spread out over her black hair. She’s kneeling in front of him, giving him head, like the music is a disguise and no one can see them. Maybe no one does. Lou’s other arm is around me, which I guess is why I don’t run, although I could, that’s the thing. But I stand there while Lou mashes Jocelyn’s head against himself again and again so I don’t know how she can breathe, until it starts to seem like she’s not even Jocelyn, but some kind of animal or machine that can’t be broken. I force myself to look at the band, Scotty snapping the wet shirt at people’s eyes and knocking them with his boot, Lou grasping my shoulder, squeezing it harder, turning his head to my neck and letting out a hot, stuttering groan I can hear even through the music. He’s that close. A sob cracks open in me. Tears leak out from my eyes, but only the two in my face. The other thousand eyes are closed.
The walls of Lou’s apartment are covered with electric guitars and gold and silver record albums, just like Jocelyn said. But she never mentioned that it was on the thirty-fifth floor, six blocks away from the Mab, or the green marble slabs in the elevator. I think that was a lot to leave out.
In the kitchen, Jocelyn pours Fritos into a dish and takes a glass bowl of green apples out of the refrigerator. She’s already passed around quaaludes, offering one to every person except me. I think she’s afraid to look at me. Who’s the hostess now? I want to ask.
In the living room, Alice is sitting with Scotty, who wears a Pendleton shirt from Lou’s closet and looks white and shaky, maybe from having stuff thrown at him, maybe because he understands for real that Jocelyn has a boyfriend and it isn’t him, and never will be. Marty is there, too; he’s got a cut on his cheek and an almost-black eye and he keeps going, That was intense, to no one in particular. Joel got driven straight home, of course. Everyone agrees the gig went well.
When Lou leads Bennie up a curling staircase to his recording studio, I tag along. He calls Bennie “kiddo” and explains each machine in the room, which is small and warm with black foam points all over the walls. Lou’s legs move restlessly and he eats a green apple with loud cracks, like he’s gnawing rock. Bennie glances out the door toward the rail overlooking the living room, trying to get a glimpse of Alice. I keep being about to cry. I’m worried that what happened in the club counts as having sex with Lou—that I was part of it.
Finally I go back downstairs. Off the living room I notice a door partly open, a big bed just beyond it. I go in and lie facedown on a velvet bedspread. A peppery incense smell trickles up around me. The room is cool and dim, with pictures in frames on both sides of the bed. My whole body hurts. After a few minutes someone comes in and lies down next to me, and I know it’s Jocelyn. We don’t say anything, we just lie there side by side in the dark. Finally I go, You should’ve told me.
Told you what? she goes, but I don’t even know. Then she goes, There’s too much, and I feel like something is ending, right at that minute.
After a while, Jocelyn turns on a lamp by the bed. Look, she goes. She’s holding a framed picture of Lou in a swimming pool surrounded by kids, the two littlest ones almost babies. I count six.
Philip Kerr
C.M. Boers
Constance Barker
Mary Renault
Norah Wilson
Robin D. Owens
Lacey Roberts
Benjamin Lebert
Don Bruns
Kim Harrison